Sunday, September 30, 2012

The Will by Allal El Alaoui on official selection at BIFF


Herbert Gehr
was born 1958, studied German Literature and Language, Philosophy, Theater-, Film- and Television Sciences at Goethe University in Frankfurt am Main, and graduated Master of Arts. From 1986 to 1998 he was curator, and since 1997 Deputy Director at the German Filmmuseum Frankfurt am Main. 1998 he moved to Berlin, and became an independent producer by working on-the-job. In the following years he worked as head of development and managing director of various film production companies in Berlin, as well as freelancing producer, line producer and script consultant, thus, over the last 14 years having a share in the production of numerous short and and long feature films, music videos, image films and commercials.


OLA EZZELDIN HAMOUDA 
An Egyptian Screenwriting Professor at the Academy of Cinema Arts and Technology since 2003. Graduated from: The American University in Cairo with B.A. in Mass Communications 1981.The Higher Institute of Art Criticism 1989.Film Directing from the Academy of Cinema Arts Technology 2008.Wrote the screenplays of feature films A BOY AND A GIRL “, 2009.“THOSE  DAYS “  2009 (SCREENPLAY  WINNING FUNDING  FROM EGYPTIAN MINISTRY OF CULTURE , 2007).“ ONCE UPON A GIRL “ , and“DON’T UPSET  MAMMA “ – (IN PRE-PRODUCTION).Worked as Art Director for two feature films, 2001, 2007.Directed the short film UNDER THE RAIN , 2008.Won funding to direct the short   “BITTER ORANGES MARMALADE”, 2012


Adnan Abou Elshamat
is a Syrian actor who studied French literature at Damascus University. He started acting at the age of seven in Television, broadcast, theatre and the cinema. He left Syria for over seventeen years, where he lived in a number of Arab and foreign countries running some commercial businesses not related to art. His love for acting drove him back to Syria in 1997, where he took part in more than 80 serials and a number of plays and movies. He speaks Arabic, English, French and German and has translated The Pigeon, a novel by the German novelist Patrick Suskind, from German into Arabic.


Awatef Naeem
was born in Baghdad. She is a critic, writer and director. She earned a PhD in theatrical directing from the faculty of fine arts in Baghdad. She is a member in the theatre critics association, which she founded in 1995. She was awarded a number of prizes for directing, writing and criticism from local and Arab festivals; Iraq, Jordan, Carthage, Egypt, Algeria and Emirates. She took part in international festivals in Germany and the Netherlands. She directed a number of plays for the national troupe of professional acting and for the Baghdad theatre professional: Ya toyour, Fouk, Beyt Elahzan, Nesa Lorka, Helm Massoud, Nahnaha, Daert eleshek Elbaghdadia, and Gonoun Elhamaem. She also made Kenz El maleh and Ana wa Gedi Wa eldomi for children. She wrote a number of scripts for TV and production companies and also conducted numerous research papers. As for the cinema, she made Elsayed elmoder, Youm akhar, Karantena, Enahom yaktloun el toyour and Elhegara.

Thursday, September 20, 2012

Missing expensive wines or simply be a Moroccan film critic


         



 Khribga film festival reveals controversial matters as far as film critics is   concerned.Damoun, a respected film critic says something dangerous about the list of winning films .He states, "we know , as we go through the list of films participating in our festivals  and from the beginning who is going to win and who will get the first prize".

            I feel ashamed to hear about this statement and fortunately I do not want to be a film critic, but I am concerned about mentalities of our film critics. Take for example one of the best film critic in France ,Pierre Murat .This French plume admits that he was a bad teacher ,but he tries criticizing films and  now he is good at this job. It is as simple as it sounds.

Why can not Ahmed Boughaba, x-journalist; Omar Ait Mokhtar x-something or simply
Moroccan film critics coming from college and universities admit that they are called just to fill the gap.  They do not dare to that because they do not want to miss Luxury hotels and expensive wines, may be I hope I am wrong

Pierre along with Damoun teach us  how honest they are what is true film critics by just saying that a film critic is passeur between him and the auteur .His role is to discover just little tiny things in films and then he must criticize in a objective way. So many film critics because they lack sense of sharing passions with cinema goers , they try to make ugly views in order to break down morals of good films and that's why many film makers just do not like to follow critics coming from those mentioned before. A film critic must reveal his point of view as far techniques and professionalism of the films seen by him.

Friday, August 03, 2012

An exlusive interview with Mustapha El Khalfi by Allal El Alaoui



Media, considered as the fourth power, is taken over for the first time in the Moroccan political history by an Islamic Political Party named as "PJD".

Obviously the scene in Morocco has been influenced by on going Intifadas already known as 'Arab Spring", is a candidate of fierce popular demonstrations that is continuously asphyxiating the actual government whose chief is Abdullah Benkiran, a controvercial and Islamic leader who has recently appointed Mustapha El Khaldi to spearhead Moroccan media and to be his government speaker.

From this context, the editor of the weblog's "Cinema and movies ", Allal El Alaoui already followed by readers around the globe nearly 149,418 page viewers, has gone to meet the minister of communication , Mustapha El Khalfi to talk about the future of media , freedom of speech and the state of national television including the promotion of cinema in Morocco.

Wednesday, August 01, 2012

الوصية ل علال العلاوي - full movie-


The Will from Allal El Alaoui on Vimeo.



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Friday, July 20, 2012

The influence of Indian cinema on Moroccan cinema-goers

Indian Cinema has always been loved by Moroccan cinemagoers and bollyphiles and even since its early start with legendary Dhundiraj Govind Phalke (1870 - 1944) affectionately called Dadasaheb Phalke is considered as the 'father of Indian Cinema'. Central in Phalke's career as a filmmaker was his fervent belief in the nationalistic philosophy of Swadeshi, which advocated that Indians should take charge of their own economy in the perspective of future Independence. This was confirmed to me by the most respected filmmaker Yash Shopra, who was in Marrakech in 2006 with his wife, Pamela Shopra. Going around Marrakeshi souks and suburbs especially the Jamaa el Fna square, Yash Shopra said how amazed and astonished he was by the Moroccan people and its traditions that really have great affinity with the ones in India. Both India and Should be both grat

eful to his artcraft.

.It is an outstanding drama which tries to break the barriers separating two lovers, Veer Patra Sing (Shahrukh kan) and a Pakistani woman, Zarma Hayaat Khan (Preity Zinta). When he projected his film at Berlin film festival, Yash Shopra was scared that the people would not understand the story, however, at the end of the film, he saw people crying. The presence of Aishwarya Rai in Marrakesh, a former Miss World and Bollywood’s first genuine cross-over icon, lightened Marrakech with her beauty and let all Marrakeshi young men eyes wild open. These artists are well honored by the Moroccan people and FIFM, the international film festival in Marrakesh. Morocco now became known in Mumbai and the majority of Bollywood stars would love to come to this country.

Not far from Agadir, Las Palmas, a Spanish little island, is overcrowded with Indians and enjoyed the double culture there. Indians have immigrated to every corner of the globe with contingencies in South Africa, the Gulf countries, Singapore, Australia, New Zealand, US, Canada apart from the UK. Wherever the Indians go, their films and their food go with them. With curry and chutney now international favourite foods, it was inevitable that their exotic films, their melodies, the romantic strains of their sitar, the striking beauty of their leading ladies and the dark and daring magnetism of their dashing heroes would eventually reach the hearts of the West despite all of Rudyard Kipling's poetic protests, reports Lubna Abdel Aziz, from Cairo Al Ahram weekly. Of course, he did not know then the strength and might of the Seventh Art, which proved to be the best meeting ground for East, West, North and South.

Many critics in Morocco would immediately judged Indian cinema as an emotional cinema which only seeks impossible love, and therefore damages the taste with its chosen six songs and pharonic scenes and yet praised and admired by others just like Razak, a Hindu fan and film critic who is illuminated by its new wave , independent anti-studio cinema , pioneered by Madhur Bhandarkar .Razak continuously makes local cinephiles more aware about Indian cinema using his power as a wonderful plume .He writes how exquisite , beautiful and magnificently arising and yet glorifying world wild Hindi cinema is. He also predicted in his RABAT EXPRESS newspaper that « BLACK » of Sanjay Leela Bhansali with Amitabh Bachchan and Rani Mukherjee as best actor and actress, would win an Oscar in Dubai during IIFA film festival the year of 2006.His prophecy became true in the United Arab of Emirates last June during IIFA ceremony in Dubai. By the way, the Arab world is also fascinated by this genre of Cinema .Whenever you go, Bollywood movies prevail in popular theatres, for example, Cairo, Casablanca and Dubai cinemas are full with Bollywood fans, and you can hardly find your ticket. Now resourcefully, people in Mumbai listen carefully to European cinephiles who admire latest of Sanjay Leela Bhansali « BLACK » because simply of its new style without using songs and exotic scenes.

Ideas like creating an agency that deals only with Bollywood films and Wizcraft artistic communications becomes a wish not only for Razak, but also for myself. I think as Bollywood will celebrate its 100 years of cinema in Marrakech next autumn, it is time to sit down, discuss and debate in professional meetings about film distributers, producers and filmmakers andtackle mechanism of producing Bollywood movies in Morocco.

From this contest, I have already launched a weblog named Hollywood-Bollywood peace initiative in which mega-stars of the west and the east can be together, may be in Morocco , to unite our world in peace and joy.

Allal El Alaoui

Film director and blogger