Mohamed Raid El Meftahi .

Written By Allal El Alaoui

                          Mohmmed Raid El Meftahi is a filmmaker residing in the capital of Morocco,Rabat .He is still young ,communicative and surely a very educated man .When you talk to  him, he will enrich you with his artistic background and surely he can talk with  you in every subject .His mind is so rich that you just can not live him . He is known of his controversial long featured movie called in French Le Milliard, already selected in Tangiers National Film Festival in 2017  whose actor is  Rabie El Kati awarded best actor of that year  .

   CV raid by allal on Scribd

Partnership and cooperation agreement between AMEF and ((FCMT).).

Partnership and cooperation agreement:
Moroccan Association of French Teachers (Tétouan)
And Association of the Friends of Cinema of Tétouan /
Tétouan Mediterranean Film Festival

Nada LMISRI

The Moroccan Association of French Teachers AMEF (Committee of Tétouan) signed on Thursday January 17, 2020 a partnership and cooperation agreement with the Association of the Friends of Cinema of Tétouan (ACT) and the Festival of Mediterranean Cinema of Tétouan ( CLF).
     This agreement aims to set up a theoretical and practical education in cinematographic language and to integrate cinema into French classes by using it as a teaching aid and an instructive and educational tool.
     The Tetouan Mediterranean Film Festival (FCMT) is an annual cinematographic event which aims to reveal and promote Mediterranean cinematography in a spirit of exchange, sharing and conviviality. It was founded by the Association Amis de Cinéma de Tétouan (ACT) in 1987. Its first editions were organized in the form of Tétouan Cinematographic Meetings.
    Each year, the FCMT offers its Moroccan public and its guests a rich and varied program: official competitions, special sessions, tributes, master class, international conference, retrospective, guest from the Mediterranean, training for teachers, screenings '' Children / young people '', program '' At the festival school '', program '' Plateau '' (script writing), round tables, etc.
     The Moroccan Association of Teachers of French (AMEF) was created on June 27, 1971, its objectives are:
- bring together all those concerned with teaching French in Morocco,
- encourage the sharing of educational experiences and research in order to promote the teaching of FLE and improve its general and specific conditions,
- encourage the initiative and creativity of teachers,
- participate in reflection and pedagogical debates on the teaching of French as a foreign language, but also international level, in particular teaching-learning programs and strategies,
- work for the dissemination of the French and French-speaking language and culture through publications, cultural and educational events,
- help with training and development in French language and civilization and in FLE teaching,
- undertake partnerships with national and international organizations sharing the same objectives.
     And to achieve these objectives, the Moroccan Association of French Teachers has organized since its creation in 1971, several cultural and educational activities: national congresses, summer universities, symposia, forums, training, competitions, etc. and regularly participates in the various meetings international. It also works to publish everything that could promote teaching and learning of FLE. Among its most important partners: the Ministry of National Education, Vocational Training, Higher Education and Scientific Research, The French Institute of Morocco and the Regional Academies of Education and Training.

The Geek produced by Allal El Alaoui

Cinema And Movies spearheaded by Allal El Alaoui has produced a short film called The Geek  (Al Mahouss) written by Laarbi toutotu and directed by Anass Hastak and it will releases  this year 2020 .

Synopsis

As a result of the prevalence of deviation phenomena in educational institutions, the student "Souad" is leading a sensibilization campaign against smoking and drug use, and against electronic sexual harassment.  However, she is a victim of defamation of fabricated images of her on the part of the obsessed "Jabbar" leader of the gang of deviant students in the institution, which causes her to commit suicide.

Looking for freedom and meaning in Ouachma

written by Afifa Hassainate Elkerri

Multiple critics and scholars consider that the movie  Ouachma  called in English "tattoo" by Hamid Bennani, is the complete start of Moroccan cinema. The movie "tattoo" was produced in 1970, and it was filmed in the city of Meknes, the village of "Sidi Ali Maghsini" and the small city "Moulay Idriss Zerhoun", both of which are located near The ancient royal city.

The first mentioned Hamid Bennani film is a film with distinction. This designation is mainly due to its socio-anthropological content, which carries the look of the intellectual who was neither the audience nor the box office. A paradox is the conditions for the birth of a "tattoo", as there was no support for production and there were, at the same time, more than 230 movie theaters spread throughout the territory of the Kingdom of less than 9 million people.

Tattoos and stigma

A tattoo or stain .. burned - and tattooed - with fire the meek child who yearned for knowledge "Masoud" (diagnosing a child then actor Muhammad Al-Kaggat), because he reflected, spontaneously and innocently, the cruel parental authority, so the "tattoo" of fire on his hand remained a sign that reminded him of authority, He will live on her fringe for the rest of his tragic life.

Is it not the job of tattoos to keep the memory of something we like to stay with us, in us, and on our body etched forever?It is clear that the technical conditions were not appropriate at all, as the sound and the image are disorganized and weak, filling all possible impurities due to weak technology and weaker qualification, but the determination made the situation and the issue present.



Hamid Bennani,the author

The technology is not the quality and clarity of the sound and the image as well, but, on the other hand, is the technique of linking skill and coordinating the narration through what is available from a technique in packaging: from this side we say that the transition from one scene to another and from design to another was, sometimes, not smooth and not subtly cinematic, has It was incomprehensible as it was sometimes poetical.

Masoud, the adopted son of charity, is cleaned and memorized by the Qur’an in a traditional way that is neither interpreted nor persuaded nor loved. It is a patriarchal method and method based on dropping and reproducing the past with its suffering and cruelty: violence in preservation and recalling the authority of the older and tattooing of the body - the stick that disobeyed the disobedient.

Multiple anecdote

The child's “Masoud” heard the church bells and his vision of the images of Adam and Eve, the Prophet Joseph and Zulekha, and the images of our master Ali and Ra’s al-Ghoul, flew with him to a world other than the world of his adoptive father’s violence (Al-Makki personified the actor Abdel Qader Mutaa)… So the “sin”: the innocent child tried to eat The forbidden fruit, the forbidden pomegranate with "hakouzah" traditions or conquering social organization and its strict traditions despite the mother's tenderness (complete diagnosis of actress Khadija Mujahid).

The child “Masoud” searches for the same person in question, in a difficult environment, which prevents him from wondering, and from the pleasure of experimentation and research. He asks the mirror about himself and who he is .. He collects elements that are important symbols: an egg fertility symbol, a pomegranate that represents the prohibited, and a Pinocchio doll a symbol of deformation due to disobedience, a lantern of the symbol oil of light that he longs for, and a red lipstick that compensates the tenderness and warmth of the forbidden mother's chest forbidden in The critical period of adolescence, during which a child turns into a young person who exits his parents towards the opposite sex. This is what "Masoud" did not succeed in achieving due to the strangulation of the middle .


Search for freedom and meaning 

The scene of the child’s arrangement “Masoud” of his elements in front of him - after questioning the woman at home - and he is performing rituals with his elements, but it is a scene of his self-accountability in search of an answer that was attributed to his father, and the community represented by his friends later on, who gave it to him. It is a scene of his search for himself as if he was trying to discover it and extract the meaning of life or the meaning of the pain within it from it.

"Wesma" is more mature than dozens of Moroccan films today, where the sociological, semiotic, and symbolic lessons are absent.

When Masoud grows up, his elements also grow in his worn out bag, some things and some nothing, and an important element is the woman, or the "image of the woman, the inspirational model," who used to travel with him everywhere, as if it gives him love and warmth and all that a teenager might need to be suppressed and repressed to suffocate. The photo will be torn off by his friends as things will begin to collaps

Loss margin

Masoud and his friends were ultimately like the lost boys, friends of Peter Pan ... those who don't want to grow old. They create a fictitious world to which they fly and stay in so that they can deny reality and life. They want to remain unnecessary children responsible for their actions, theft, violence, and gruesome assault: the scene of killing a snake, burning an owl, and dancing on its ashes.

The name of the "perfect" wife, the complete woman, the full woman or in other words ... voiceless woman with a pretty face, she is not perfect in the sense of aesthetic philosophical perfection but she is complete as her image built social and cultural controls: the woman obedient and marginalized of the woman’s voice . A woman believes, , and behaves on the basis that she is nothing without a man who leans back and protects her presence as she walks in the shade to live.

The tragic end

Masoud got tired and walked on the long and historical "Sarak" road / street surrounded by a walled visor directed at one direction, he walked with tiredness and unsteady steps ... He tried to go into strange worlds to get out of his reality and tightened the chains and chains in his hands and on his shoulders, so the gun was the solutiona gainst all that stands in the way of Masoud, the unclear.

Masoud tried to counting the sheep - patience, wisdom, and waiting - as if trying to enter the field of the prophecy of the shepherd and the sheeps. But he was impatient, nor did he tolerate an end to the official margin entry by killing the rich and miserly exploiter.

Masoud's death may be the end of his sorrows and his suffering in a world that was not interested in his existence, but he formed an aphorism of a symbol in which many people are represented, living what "Masoud" lived every day of his life, and perhaps this was one of the original cinematic roles to be a mirror - imaginative and creative - that reflects reality ; as it is stated by William Shakespeare .

Icarus by Sanaa El Alaoui

        In Budapest, Hungary, Ignac lives as a homeless in a sophisticated and alienated society. Ignac shares his childhood  with us and he dreams to be a pilot. However, his life beccmes harder in a society where social struggle is highly marked. Ignac  goes on to talk about his visions toward homelessness, God, happiness and suicide. Nevertheless his social status and loneliness, Ignac is a smart and self-educated abandoned man.

the cell by Rabii el Jawhari

There is a twentieth girl in one of the corners of a strange space, who does not know the reason for her imprisonment and restraint, nor does she know the features and  identity of her prison .. The days of her imprisonment draw signs on the wall of her cell so that she remains attached to the concept of time, which has become a mysterious thing for her .. It happens once she receives the same her knock on the wall from the other side, which drives her to dig the wall in search of her desired salvation ...

  Fiche Techniqueالزنزانة by allal on Scribd

Lmhali agreed by FATEMA LOUKILI commisssion

An amount of nine hundred thousand dirhams (900,000.00 DH) is granted to the documentary entitled لمحالي / LE DECONSEILLE presented by the company NETWORK FILM AGENCY, which will be directed by ALLAL EL ALAOUI, according to the script by ALI SALEM Y

The Will by Allal El Alaoui in Budapest

Dear Mr Allal El Alaoui,

Let me introduce myself, my name is Dr. Andrea Velich, associate professor of Eötvös Loránd University, School of English and American Studies (SEAS), and I am writing and contacting you as the leader of the Film and Culture Programme of Eötvös University, SEAS, Budapest, Hungary.

I would like to invite you to participate in and to be our guest of honour of the Reel Film Festival and Workshop to be organised at Eötvös Loránd University, School of English and American Studies on 6 Febr,2020 to present and introduce your short film The Will (2012) at the Reel Film Festival and Workshop organised and hosted by the Film and Culture Programme, to which we plan to officially invite the Moroccon Embassy of Budapest, too.

The event will introduce various aspects of film and culture including films from the USA, Britain, Australia, Ireland, and Canada we teach about in our programme. The theme of the workshop will be The Journey of the Hero/Heroine in Film. 

If time allows we would also like you to join one of our film seminars on Week 1, Monday, 10 Febr, 2020 in the afternoon as it would be nice and an honour to have a film director as our guest lecturer to talk about scriptwriting and directing.

We would very much appreciate if you accepted our invitation and could spend a few days in Budapest from 5-11 Febr, 2020!

We very much look forward to meeting and welcoming you in Budapest, Eötvös University in early February, 2020.

With best and kind regards,

Yours sincerely,

Dr Andrea Velich (PhD. Hab)

associate professor of Eötvös Loránd University

School of English and American Studies

1088 Budapest, Rákóczi út 5. Rm 344.

seas3.elte.hu/velich

Omar Belaaguir Cinema DOP

BELAAGUIR Omar           
No SS: 187019935092931
E-mail: omar7art@gmail.com
(+33) 0609474084
(+212) 0638774106
-53 Boulevard Jean Allemane
95100 Argenteuil, paris - France
-02 Lot Taskoulte Afrag TIZNIT- MAROC                         

          Je suis un technicien lumière (cinéma, tv et évènementiel) de formation et passionné par mon métier.
          Grâce à une expérience de six ans dans le domaine en France, au Maroc et en Tunis avec des films de toutes nationalités, j’ai une grande expérience dans le domaine come électricien et chef électricien cinéma, éclairagiste évènementiel (Sunlite, Showtec Creator, Grand MA). Je suis à l'écoute, attentif et patient, ponctuel, Ambitieux, flexible,  j’ai le sens des responsabilités.
je suis marié et j’ai 32 ans, ayant un diplôme de technicien spécialisé en audiovisuel option image à l’institut spécialisé industriel de Casablanca, aussi j’ai un diplôme en plateau et machinerie à l’institut spécialisé dans les métiers du cinéma à Ouarzazate, et dernièrement j’ai participé à la formation organisé par ARRI (SKYPANEL, M-SERIES, BALLAST).
BELAAGUIR OMAR

Cinema And Movies spearheaded by Siham El Alaoui

It is announced, via press release, that Cinema And Movies, the production company of Siham El Alaoui, is opening its fiction department with the ambition to lead a bold and quality fiction policy for all broadcasters.
"Its primary vocation is to reveal and support new talents both in Morocco and internationally through unitary and series projects are imagined with authors and directors with a keen eye and in direct contact with the society.
At the time of the digital revolution, and in a context of globalized and very competitive market, Cinema And Movies will propose a singular editorial line with original and entertaining series.
Cinema And Movies is recruiting Allal El Alaoui at the head of his fiction department. He is a filmmaker and an international blogger, founded the production box Cinema And Movies in Kenitra in 2010 . He recently made the documentary film called the disadvised with Ali oueldah Bousola in co*production with  see network agency.

IN FRENCH

Il est annoncé, via communiqué de presse, que Cinema And Movies, la société de production de Siham El Alaoui, ouvre son département fiction avec l’ambition de mener une politique de fiction audacieuse, et de qualité pour tous les diffuseurs.

"Sa vocation première est de révéler et d’accompagner de nouveaux talents tant au Maroc qu’à l’International à travers des unitaires et des séries. Les projets sont imaginés avec des auteurs et des réalisateurs au regard aiguisé et en prise directe avec la société.

A l’heure de la révolution numérique, et dans un contexte de marché mondialisé et très concurrentiel, Cinema And Movies proposera une ligne éditoriale singulière avec des séries originales et divertissantes.

Cinema And Movies recrute Allal El Alaoui à la tête de son département fiction. Il est cinéaste et blogueur international ,a fondé la boite de la production Cinema And Movies a Kenitra en 2010,. Il a récemment realise  le film documentaire avec Ali oueldah Bousola voir network agency.

Closing of the 5th International Film Festival Of Schools in Tetouan

Closing of the 5th

International Film Festival

Of Schools in Tetouan

Nada Lmisri.

The 5th edition of the International Festival of Cinema Schools of Tetouan (FIDEC), organized by the Faculty of Letters and Human Sciences (Abdelmalek Essaadi University - Tetouan) and the Bidayyat Association in partnership with Moroccan and foreign organizations and institutions is closed Saturday, November 30, 2019 at the Spanish Theater of Tetouan.
FIDEC has had considerable success and remarkable success. During the six days, a passionate audience of the seventh art (filmmakers, writers, artists, teachers, actors, students, students, film critics, journalists, researchers, ...), attended massively the various activities of the festival: projection of dozens of films made by young creators from around the world and masterpieces by the pioneers of modern Moroccan cinema, special screenings for schoolchildren, training for Moroccan teachers, master class, tributes, professional meetings, ...
The closing of the Festival was marked by a vibrant tribute to the Professor and visual artist Bouabid Bouzid and the screening of the film '' Mejor '', awarded in 2012 at the International Film Festival of Marrakech, by Tarik Liahemdi (laureate of the Filière Etudes Cinématographiques de the Faculty of Humanities and Letters of Tetouan).
Of the 3200 films submitted, 75 films were selected in international competition by the selection committee.
- Grand Prix: '' The Shephed '' by BrwaVahabpour;
- Special Mention: '' Cross film '' by Konstantinos Stathis;
- Prize for Best Fiction: '' Theculture '' by Ernst De Geer;
- Jury Prize: '' Hernamewas '' by Helena Dalemans;
- Human Rights Prize: '' Zoujbghal '' by HoudaRahmani;
- Animation prize: '' Inanimate '' by Lucia Bulgheroni;
- Public Prize - International Competition: '' Ghita '' from Loubna Briac;
- Kids' Prize: '' Fish for life '' by Kerstin Blätterbinder, Lisa Gierlinger, Lukas Mathä and Victoria Wolfersberger;
- Young Jury Prize: '' The last trophy '' by Mario TurkhyFunes;
- Best Documentary Award: '' Not for Real '' by Mona Maire.
The closing of this edition was also marked by the celebration of 10 years of training and film studies in the Faculty of Arts and Humanities of Tetouan. This is the result of the praiseworthy efforts of Professor Hamid Aïdouni, Festival Director and President of the Bidayyat Association, who has the merit of integrating research, training and film creation into this faculty since 1987, with few means but a lot of willpower, ambition and dedication. He created in 2009 a Professional License in Cinematographic Studies, a Specialized Master in Documentary Cinema and Doctoral Training in Arts and Cinematographic, Audiovisual and Scenic Studies. He recently founded an international university film and visual arts magazine '' Mirage ''. According to its founder, this scientific project is another step towards consolidating this building with the three pillars of "Research / Training / Creation" whose construction began 32 years ago.
FIDEC asserts itself as a reference in the Arab and African world and is now positioned thanks to the rigor of its selection and the quality of its organization, in just five years of existence, as an international rendezvous.

Journée d’étude à la FLSHT .Tetuan .

 Nada LMISRI

Journée d’étude à la FLSHT

La langue française à l’université :

Diagnostic d’un dysfonctionnement

            Dans le cadre de ses activités scientifiques,le Département de Langue et Littérature Françaises (DLLF), en partenariat avecle Laboratoire de Recherchesur le Maghreb et la Méditerranée (LAREMM)de la Faculté des Lettres et des Sciences Humaines de Tétouan (Université Abdelmalek Essaadi),a organisé une journée d’étude sur le thème : ‘’la langue française à l’université : diagnostic d’un dysfonctionnement’’. Et ce le mercredi 27 novembre 2019 à la salle de conférence Dr. Targhi.

               Selon les organisateurs, cette journée d’étude se propose de tirer au clair une situation délicate et inextricable à tous égards. La question de l’enseignement de la langue française à l’université comme outil sine qua non des études et de la recherche scientifique est une question qui demeure confuse. Elle est fumeuse, voire absconse. La nébulosité de cette situation doit se dissiper afin que la problématique soit mieux appréhendée.

            Parmi les objectifs assignés à cette manifestation scientifique :

- circonscrire la place de l’enseignement de la langue française dans le cursus universitaire, ainsi que son importance ;

- faire la lumière sur les difficultés et les ‘’résistances’’liées à lalangue française (en comparaison, entre autres, avec les langues anglaise et espagnole) ;
- cerner le caractère ondoyant et divers de cette langue (c’est une langue très imagée, ce qui pousse à asserter que le sens figuré est prioritaire par rapport au sens propre) ;

- Faire le point sur l’origine du français, sur l’étymologie des mots et de la nomenclature.

            C’est une invitation à la réflexion et à l’investigation sur l’état des lieux et sur les perspectives liées à l’enseignement de cette langue. Le constat d’échec, des hiatus et des reconductions des diverses stratégies et méthodes dans ce domaine est une constante de notre système d’enseignement. De telles déconvenues devraient interpeller le chercheur et l’inciter à y mettre du sien, en vue de diagnostiquer le dysfonctionnement et de s’atteler à y remédier.

            La journée d’étude s’est déroulée en deux temps et s’est articulée autour de deux axes : ‘’Réalités et perspectives’’ et‘’Déroulé pédagogique et docimologie’’.

            La première séance‘’Réalités et perspectives’’ a été modérée par le Professeur Abdelilah El Khalifi, Chef du Département de Langue et LittératureFrançaises.

               Dans leurs interventions, les participants ont développé les approches suivantes :
- ‘’Le DLLF en péril’’, Pr. WafaeGorfti (FLSHT – UAE - Tétouan) ;

- ‘’L’enseignement du français : le FOS et le FOU, enjeux et perspectives’’,  Pr. Amal Bouchelta (FP – UAE -  Larache) ;

- ‘’Enseignement du FLE : états des lieux’’, Pr. Jaouad Boumaajoune (FLSHT – UAE - Tétouan) ;

- ‘’Le dispositif intégré pour l’apprentissage du français au CRL de la FS de Tétouan’’, Pr. Iman Jouti (FS – UAE  - Tétouan).

               La séancede l’après-midi ‘’Déroulé pédagogique et docimologie’’ a été modérée par NajibWasmine, Professeur de l’Enseignement Supérieur.

               Les interventions ont porté sur les points suivants :

- ‘’Image et usage du dictionnaire’’, Pr. Ahmed Sebraoui (FLSHT – UAE - Tétouan) ;

- ‘’Compétences discursives et évaluation formative : l’exemple du commentaire composé’’, Pr. Jamal Zemrani  (FLSHT - UAE  - Tétouan) ;

- ‘’L’enseignement de la littérature française à l’université entre pédagogisme et perte de temps’’, Pr. Mokhtar Chaoui, (FLSHT – UAE - Tétouan) ;

- ‘’Propositions pratiques de stratégies de renforcement en langue française pour les étudiants en difficulté au sein de l’université’’, Pr. Abdeslam Chenag (CRMEF - Larache).
                   

                    Cette manifestation scientifique, qui a connu un succès remarquable grâce à la pertinence et l’importance des interventions mais aussi à la présence massive d’un public averti qui s’intéresse à la question de l’enseignement de la langue française au sein del’université,s’est clôturée par un débat animé et enrichissant : un échange d’informations, d’opinions et de propositions.

  

Nada Haddaoui.actress.

   Nada - CV Comédienne PDF-converted by allal on Scribd

It's been five years since I started doing theater at the conservatory and the college too! I played in two shorts when I was 15! And this year I played in a TV series that I had an important role, c the series "Ouyoun Ghaima" with the director Said Khallaf, and right after I had a lead role in a short film called "Cry of distress" With Taeib Benjelloun! And I just shot a feature film with director Adil Ammor!

Kick-off of the International Film Festival of Schools of Tetouan

By Nada LMISRI

The fifth edition of the International Festival of Cinema Schools of Tetouan (FIDEC) kicked off on Monday night at the Spanish Theater in Tetouan.
The FIDEC is organized by the Faculty of Humanities and Letters of Tetouan (Abdelmalek Essaadi University) and the Bidayyat ARTCINE Association (composed of academics, cinema professionals, laureates of the Specialized Master in Documentary Cinema and doctoral students in Arts and Cinematographic, Audiovisual and Scenic Studies) with the support of the Moroccan Cinematographic Center and Moroccan and foreign organizations and institutions.
The opening ceremony of this edition, which continues until November 30, 2019, has had a massive presence of an audience passionate of the seventh art (filmmakers, writers, artists, teachers, actors, students, students, film critics , journalists, researchers, ...) and was marked by a vibrant tribute to Moroccan film critic and researcher Hammadi Gueroum and German filmmaker and writer Viola Shafik.
The FIDEC jury that will deliver its verdict at the closing ceremony is composed of four members: the film critic and Moroccan researcher Hammadi Gueroum, the German filmmaker and writer Viola Shafik, the Greek university professor Filareti Kotsi and the French Roxane Riou, programmer for Tënk of the Beach First Bobines.
FIDEC offers the Moroccan public and its guests a rich and varied cultural program: screening of dozens of films made by young creators from around the world, special screenings for schoolchildren, training for Moroccan teachers, master classes, tributes, meetings professional ...
This 5th edition is distinguished by the celebration of 10 years of training and film studies in the Faculty of Arts and Humanities of Tetouan. This is the result of the praiseworthy efforts of Professor Hamid Aïdouni, Festival Director and President of the Bidayyat Association, who has the merit of integrating research, training and film creation into this faculty since 1987, with few means but a lot of willpower, ambition and dedication. He created in 2009 a Professional License in Cinematographic Studies, a Specialized Master in Documentary Cinema and Doctoral Training in Arts and Cinematographic, Audiovisual and Scenic Studies. He recently founded an international university film and visual arts magazine '' Mirage ''.
FIDEC asserts itself as a reference in the Arab and African world and is now positioned thanks to the rigor of its selection and the quality of its organization, in just five years of existence, as an unmissable event on the scale internationa

Room 101 a film documentary soon

written by Ali Karama

Were the words raised by the Ultras people directed to the stadium fans or wanted to be heard outside the stadium walls?
This question will be answered by the context of “Room 101”, which comes immediately after: “In my country they wronged me” and in the “Tivo” in which the Palestinian people were greeted.
Talk about the addresses, is the required audacity implemented by the Ultras in all honesty, and perhaps the former in the time of vigilance that the country tells a state and society, officials and citizens ..
Western novelist George Orwell wrote his novel (1984), which was published in England in 1949, and the idea of ​​the novel focused on the establishment of a government called the government of the "guide" or Big Brother, this government everything contrary to his name, for example, the Ministry of (truth) is a ministry. Its mission is to overturn facts, terrible identity and lies.
The policy adopted is the policy of torture, increasing the degree of torture until it reaches the degree of entering the person to the room (101) and collapses and deviates, for example, the person subjected to torture ask him how many fingers of your hand and say five responds that the guide says nine did not leave torture so as to reassure the interrogator that the person now says follow the brother's guide that it is nine and at this stage tied on his head electrocution equipment ..
Room 101 refers to the most heinous form of torture by reversing the facts of the government in Orwell 's novel.
The "Tivo", which was reassured by the Raja fans in an interview with Derby with Wydad, is nothing more than a message to those who rule and not their weak footballing peer. The slogan says everything without shorthand, without words that it passes to the maximum degree of expression, more expressive than screaming.
Here, Tivo was only the most innovative and proactive skill to shape the new development paradigm, with royal specification, to courageously convey the truth to the pulse of society, albeit painful and cruel, as it is without falsification or deception. Specific specifications required for the modeling of this model, with neutrality and innovation.
Room 101 is the courage of the public to convey the reality of the sense of oppression, injustice, marginalization and fragility of the compound, and predict that the next worst torture as the symbolism of the room in Orwell 's novel, both in prisons and rural prisoners and other prisoners of conscience, and the suffering of society outside fences of oppression and tyranny ..
This audacity of the sports audience may also whisper in order to raise the rhythm among the political, cultural, economic and societal in general .. To convey the facts in all objectivity, inventing new alternatives .. To ensure the attractiveness of influence and interaction…
The audacity here is a wake-up call to whom it may be concerned before the last alternatives for reparation have fallen and all the ropes of trust have gone to the established institutions.

Gaza by Garry keane and Andrew McConnell

A film by Garry keane and Andrew McConnell

International Film Festival of Schools in Tetouan

By Nada LMISRI

The Faculty of Humanities and Letters of Tetouan (Abdelmalek Essaadi University) and the Association Bidayyat ARTCINE (composed of academics, film professionals, laureates of the Master Specialized in Documentary Cinema and PhD students in Arts and Film Studies, Audiovisual and Scenic) organize with the support of  CCM (the Moroccan Cinematographic Center ) the fifth edition of the International Film Festival  of Schools in Tetouan (FIDEC). And this from Monday 25 to Saturday, November 30, 2019.
The International Film Festival  of Schools in Tetouan aims to promote the works of young creators from around the world whether they come from film schools, universities or training institutes for the professions of the image and also of serve as a platform for meetings, exchanges with young people from around the world and belonging to different cultures.

According to its press release, of the 3200 films submitted, 75 films were selected by the selection committee in international competition. An exceptional vintage, an impressive number of schools and countries participating in this edition, many for the first time. The figures express and attest to this exceptional selection: 75 films selected, 33 countries represented and 63 film schools.

39 fiction films, 21 documentaries and 15 animated films make up this beautiful selection of school films. Many selected films carry human and universal values ​​such as tolerance, respect, solidarity, justice, fraternity and love. A wide variety of topics is covered in various thematic fields: identity, migration, youth, adolescent crises, childhood, loneliness, cinema, old age, adversity, etc. Themes often rooted in local and national realities certainly but challenge the universal in us. These films ultimately reveal the human in all its states.

New cinematographs and new talents to discover at this year's edition at FIDEC from November 25th to 30th at the historic theater '' Teatro Espagnol '' in Tetouan.

GRECA (Group of Research and Cinematographic and Audiovisual Studies), affiliated to the Faculty of Arts and Humanities of Tetouan and whose creation dates from 1987, is a pioneer in the field of cinema research in Morocco. Thanks to the praiseworthy efforts of Professor Hamid Aïdouni, Festival Director and President of the Bidayyat Association, who deserves credit for integrating research, training and film creation into the Faculty of Arts and Humanities. of Tetouan after many years of experience, with few means but a lot of will, ambition and dedication. He has created for several years a Professional Bachelor in Cinematographic Studies, a Specialized Master in Documentary Cinema and Doctoral Training in Arts and Cinematographic Studies, Audiovisual and Scenic.
FIDEC asserts itself as a reference in the Arab and African world and is now positioned thanks to the rigor of its selection and the quality of its organization, in just five years of existence, as an unmissable event on the scale international

official Selection  FIDEC 2019

9/8 DOGMAK | Halidİlhan | Documentaire | YaşarUniversity | Turquie | 18’ | 2018

ADJOURNMENT | Nina Marissiaux | Documentaire | HELB | Belgique | 24’ | 2018

AIRSHIP OF UNKNOWN DIRECTION | Alexandra Galitskova | Animation | VGIK Moscou | Russie | 5’| 2019

AISHA | Piotr Łukasiak | Fiction | Warsaw Film School | Pologne | 16’ | 2019

AMAL | Raoul "Kabrit" Mallat | Animation | Ecole Emile Cohl | France | 6’ | 2019

ASIYA | DinaraAbdrashitova| Fiction | Academy N.S Mikhalkov | Russie | 15’ | 2018

BIOTOPE | Paul Scholten | Documentaire | HFF Munich | Allemagne | 10’ | 2018

BLACK LEAD | A. Valter, R. Delmond, F. Lambert, L. Talfer, N. Six, T. Emsellem |Animation| SupinfocomRubika | France |6’ | 2019

BREATHE ! | Matthias Kreter, Max Breuer | Fiction | FABW | Allemagne | 9’ | 2018

BRUISED | Rok won Hwang, Samantha Tu| Animation | RinglingCollege of Art and Design | Etats-Unis| 3’ | 2018

CASTING | Klaudia Keska | Documentaire | WRITV | Pologne | 18’| 2018

CIRQUE | Bob Colaers | Fiction | LUCA | Belgique | 16’ | 2019

CLEATS | Abdullah Şahin | Fiction | Istanbul ŞehirUniversity | Turquie | 10’ | 2019

COMMENTS | Jannis Alexander Kiefer| Documentaire| Film UniversityBabelsberg KONRAD WOLF | Allemagne |5’| 2018

CROSS | Konstantinos Stathis | Expérimental | AUTH | Grèce | 23’ | 2019

DANSE MACABRE | ZsófiaCsánki | Animation| METU | Hongrie | 6’ | 2018

EPILOGUE | YosraSanhaji | Fiction | ISAMM | Tunisie | 14’ | 2019

EQUALLY RED AND BLUE | Georgiana Moldoveanu | Fiction | UNATC | Roumanie | 21’ | 2018

FANNY | Alia Benhida | Fiction | ECIB | Espagne | 8’ | 2019

FAR FAINT LIGHTS | Paolo AguilarBoschetti| Documentaire | ECAM | Espagne | 21’ | 2018

FISH FOR LIFE | Kerstin Blätterbinder, Lisa Gierlinger, Lukas Mathä, Victoria Wolfersberger | Animation | FHOO| Autriche | 8’ | 2019

FROZEN TO DEATH, SOAKED TO THE SKIN | Elena Tara| Fiction | ECAM | Espagne | 15’ | 2018

GLAZE | Clara Jost | Expérimental | ESTC| Portugal | 14’ | 2018

GULF | Walter Mzengi | Expérimental | AFDA| Tanzanie | 10’ | 2019

HER NAME WAS | Helena Dalemans | Fiction| LUCA| Belgique | 18’ | 2018

HERO | Ondřej Burda| Fiction | FAMO| République tchèque | 15’ | 2019

HIM AND I | Ibrahim Handal | Fiction | Dar al-KalimaUniversity | Palestine | 14’ | 2018

INANIMATE | Lucia Bulgheroni | Animation | NFTS | Royaume-Uni | 9’ | 2018

JOURS DE FÊTE | Hamza Oujamma| ESAV Marrakech | Fiction | Maroc | 8’ | 2018

LOOKING FOR DENI | Déni Pitsaev| Documentaire | LUCA | Belgique | 19’ | 2018

MANO A MANO | Louise Courvoisier| Fiction | La Cinéfabrique | France | 22’ | 2018

MTV IS MY FRIEND | Radu Popovici | Animation | UVT ARTE | Roumanie | 6’ | 2018

MUSIC BOX | VeronikaPasternaSzemlova| Animation | TMK | République tchèque | 13’ | 2018

NEITHER SUNNY NOR CLOUDY | AnvarNijemčević | Documentaire | SFA | Bosnie-Herzégovine | 11’ | 2019

NEWS FROM BORUSSIA | Kasia Hertz| Expérimental | DFFB | Allemagne | 16’ | 2019

NOT FOR REAL | Mona Maire| Documentaire | MMCD Marseille | France | 30’ | 2019

NOTICE ME | Catherine Shelley| Documentaire | BFI | Royaume-Uni | 6’ | 2019

PATCHWORK | Maria ManeroMuro| Animation | UPV | Espagne | 8’ | 2018

PLAY | Piotr Sulkowski| Fiction | Lodz | Pologne | 13’ | 2018

PPOM PPAM | Hee-kyoung Shin, Seo-hyunYeon| Animation | Korea Animation High School | Corée | 8’ | 2019

REFLECTION | Chelsea Keene| Animation | CSULB | Etats-Unis | 4’ | 2019

REMEMBER ME | Mohamed Rida Gueznai | Documentaire | MSCD Tétouan| Maroc | 20’ | 2019

RITA | Loubna Briac | Documentaire | MSCD Tétouan| Maroc | 26’ | 2019

RUN | Egor Isaev| Fiction | Moscow Film School | Russie | 23’ | 2019

SHE WHO WASN'T TAMED | Saleh Kashefi| Fiction | IYCS | Iran | 15’ | 2019

STARVATION | Zahra Rostampour | Animation | TehranUniversity of Art| Iran | 7’ | 2018

STRINGS | Paula Zambrano | Fiction | ULA Mérida | Venezuela | 12’ | 2018

TEA | ShokirKholikov| Fiction | UzSIAC | Ouzbékistan | 15’ | 2018

THARBAT’N’WADOO | LatefaAhrrare | Documentaire | MSCD Tétouan| Maroc | 24’ | 2018

THE BINOCULARS | Rahul Sharma | Fiction | LFS | Royaume-Uni | 16’ | 2019

THE BUZZ | DánielFüzes | Fiction | METU | Hongrie | 34’ | 2019THE CARP POND | Guomin Yang | Fiction |The Central Academy Of Drama| Chine | 26’ | 2019

THE CULTURE | Ernst De Geer | Fiction | DNF| Norvège | 25’ | 2018

THE FISHING CIRCLE | Daniela López Moreno, Alfredo MarimonCarcamo| Documentaire | VGIK | Colombie | 20’ | 2019

THE GIRLS WHO WEREN'T AFRAID | Frida MezaCoriche| CUEC |Documentaire | Mexico | 8’ | 2018

THE LAST TROPHY | MARIO TURKHY FUNES | Documentaire | UNAL | Argentine | 22’ | 2019

THE MOTIONS | Frank Donnangelo | Fiction | AFI Conservatory | Etats-Unis | 15’ | 2018

THE SCHOOL BUS | RamazanKılıç | Fiction | Istanbul ŞehirUniversity | Turquie 13’ | 2019

THE SHEPHERD | BrwaVahabpour | Fiction | DNF | Norvège | 17’ | 2018

THE TRIP | Daniel Rihák | Fiction | FTF VŠMU | Slovaquie | 18’ | 2018

THE VOICES FROM INSIDE | Elina CHARED | Documentaire | MMCD Marseille | France | 25’ | 2019

THE VOID BETWEEN THINGS | Andreas Pappas| Fiction | HCTSS | Grèce | 21’ | 2019

THE WHITE PARALLELEPIPED | OksanaStepantsova| Fiction | GITR | Russie | 16’ | 2019

THINGS WE DON’T TALK ABOUT| Dan Johan Filip Svensson| Fiction | DNF| Norvège | 18’ | 2018

TO EACH YOUR SARAH | Deokgeun Kim| Fiction | K-ARTS | Corée | 25’ | 2019

UBIZO | Natalia Bombala | Fiction | UKZN | Afrique du Sud | 16’ | 2018

UNTIL THE EMERGENCE OF DAWN | Younes Benchakor | Fiction | MSCD Tétouan | Maroc | 16’ | 2018

VOLE | Cynthia Tannous| Fiction | UA | Liban | 8’ | 2018

WEEPING WILLOW | Krystel El Koussa | Fiction | USEK | Liban | 16’ | 2018

WHAT EVER HAPPENED TO DARWIN | L. ALTIERI, S. CRIPPA, G. MANNA, M. NOCERINO| Animation | CSC | Italie | 6’ | 2019

WHITE COFFEE | Gloria Tauk | Fiction | UL | Liban | 13’ | 2018

WIRED | ZeyuRen| Animation | RISD| Etats-Unis | 4’ | 2019

ZOUJ BGHAL | HoudaRahmani | Documentaire | MSCD Tétouan| Maroc | 13’ | 2018