CMRTVN praises Allal El Alaoui awarded in Ifan - The best Script -

Aziz Hayzoun

The film The Will- Our friend and colleague of Allal El Alaoui has won the award for Best Screenplay at the Festival of Arab Short Film AZROU / IFRANE 2013 15th edition under the theme "Film Environment & Renewable Energy"

which was unrolling of 15 AU 18 August 2013

CONGRATULATIONS TO OUR FRIEND AND HAT ALLAL.

"The Will" is not only a direction, but a meaning that gives rise to several questions at once, and that only the viewer can find the answers, the meaning. The will, short film written and directed by Allal El Alaoui and produced by SNRT is also an approach that the actor involved in this work and the writer of the latter can find meaning.

As Fatima Bassour actress chosen to play the role of the wife Zahra of the  great actor Ben Brahim in the film "the will" and with a suggestive reading deepens the filmmaker Mr. Allal El Alaoui, I will say that is a tribute to Moroccan Sahrawi nomads connoisseurs of the great desert and its history is indeed the representations of our history and the history of our beautiful country that is Morocco.

And starting from this original presentation of lifestyle and these gents is to bring the maximum possible that lifestyle Moroccan viewer the choice of Mr. Allal El Alaoui this thematic objective was to awaken in those who view the movie and one that has contributed to the development of that feeling of patriotism and citizenship.

That thereafter the viewer and participant in the making of this film has the feeling of being one of the characters or all characters at once, as long as the place of the events of this film is involved each Moroccan soul of its existence.

The director of the short film "Children of the Sun" was chosen to present to the Moroccan public beautiful landscape as "Tinfou" and "Ark Lihoudi" as well as other landscapes

of Moroccan Sahara, particularly in areas of city ​​of Zagora.

Mr. Allal El Alaoui also chose to share the natural beauty of this region through the viewer to be able to discover and enjoy and fell in love with the landscape as a traveler, a tourist who contemplates for the first time.

A vast desert, a magical sand, every golden grain tells a story, a tale of wisdom. And when the wind blows, a painting of a majestic natural beauty draws on these dunes that even the masterpiece of the most talented artist can never match the beauty.

Le film -TESTAMENT - de Notre Ami et collègue Allal el alaoui a remporte le prix de meilleur scenario au festival du monde arabe du court-métrage AZROU/IFRANE 2013 15ème édition sous le Thème "Ciné Environnement & Énergie renouvelable"
qui s'est deroulé du 15 AU 18 AOUT 2013
FELICITATION ET CHAPEAU A NOTRE AMI ALLAL .

« Le testament » n’est pas seulement un sens mais une signification qui donne naissance à plusieurs questions à la fois ; que seul le spectateur peut trouver les réponses, le sens. Le testament, court- métrage écrit et réalisé par Allal El Alaoui et produit par la SNRT, est également une approche que l’acteur participant à ce travail et le scénariste de ce dernier peut trouver la signification.

Comme étant Fatima Bassour, actrice choisie pour jouer le rôle de Zahra la femme du grand acteur Ben Brahim dans ce film « le testament » et avec une lecture approfondit des suggestifs du cinéaste Mr Allal El Alaoui, Je dis que le testament est un hommage aux nomades sahraoui marocains connaisseurs du grand désert et de son histoire qui n’est en effet que la représentations de notre histoire et l’histoire de notre beau pays qui est le Maroc.

Et partant de cette présentation original du mode de vie de ces gents et le fait de rapprocher le maximum possible ce mode de vie au spectateur marocain, le choix de Mr Allal El Alaoui de cette thématique avait comme objectif d’éveiller chez celui qui regard le film et celui qui a participé à l’élaboration de ce dernier le sentiment du patriotisme et de la citoyenneté.

Pour que par la suite le spectateur et le participant à la réalisation de ce film aura le sentiment d’être l’un des personnages du film ou tous les personnages à la fois, du moment que le lieu des événements de ce film est partie prenante de chaque marocain de son âme de son existence.

Le réalisateur du court- métrage « les enfants du soleil » a choisie de présenter au grand public marocain de très beau paysage comme « Tinfou » et « Ark Lihoudi » ainsi que d’autre paysage du grand Sahara marocain et particulièrement dans les régions de la ville de Zagoura.

Mr Allal El Alaoui a également choisi de partager la beauté des paysages de cette région à travers le spectateur pour pouvoir découvrir et apprécier et tombé amoureux de ces paysages comme un voyageur, un touriste qui les contemple pour la première fois.

Un désert immense, un sable magique, chaque grain doré raconte une histoire, un conte, de la sagesse. Et quand le vent souffle, un tableau d’une beauté naturellement majestueuse se dessine sur ces dunes que même le chef d’œuvre de l’artiste plus talentueux ne pourra jamais égaler cette beauté.

Et Fatima Bassour en jouant le rôle de Zahra dans la scène dans la quelle elle est enterrée dans le sable ne restant visible de son corps que la tête, je sentais la profondeur et la force des répliques du scénario que je disais. « Zahra le signe » attachée à ses racines et à sa terre malgré le jugement atroce et le regard des yeux qui la jugé. Le serpent ‘Cobra’ qui vient lui aussi pour participer à ce tableau en se mettant à coté de sa tête seule visible dans le sable, non pour marquer sa présence mais pour dire « n’ayez pas peur Sahara je suis là, pour vous protéger et vous défendre ».Pour que Zahra lance un crie en fixant tous les pressant pour dire :

Le testament d’ Allal c’est mon testament pour vous ;
Mon histoire et sa gloire c’est la votre et entre vos mains ;
Ayez conscience de l’ampleur de l’affaire ;
Garder le testament ;
Le Sahara c’est votre pays ;
préserver votre héritage ; — avec Allal El Alaoui.

J’aime ·  · Suivre la publication · 18 août, 05:04

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  Khalid Brahimi LA CHAMBRE MAROCAINE DES RÉALISATEURS TV félicite notre aimable et artiste réalisateur actif et dynamique dans la chambre Mr Allal ALLAOUI pour le prix qu'il a remporte

  il y a 23 heures · J’aime · 1
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professional cinema machinist in Marrakech called Naoufal lamkealal

I am writing to express my interest to work with you, your reputation for professionalism. Indeed,my passion for the craft of cinema is great  and I am trained at the Euro-Mediterranean Centre of Cinema and Audiovisual .I would put my skills to your team.

My training enriched  by many nationally and internationally as far as  films are concerned .This allows me to spread my skills in time as a machinist. I am quite able to take care of the distribution of work within a team.

Serious, voluntary and rigorous, my first goal is to meet the gent I work with while ensuring to 

develop my department. It is with pleasure that I will present to you in person the details of my professional life and you commit my motivation.

Je vous écris pour vous témoigner mon grand intérêt à travailler avec vous , réputé pour ton professionnalisme. En effet, passionné par le métier de cinéma et j'ai suivi une formation au centre euro méditerranéen du cinéma et l'audiovisuel j'aimerais mettre mes compétences au service de votre équipe.

Ma formation, enrichie par de nombreux films nationaux et internationaux m'a permis de déployer mes compétences au temps que machiniste . Je suis donc tout à fait en mesure de prendre en charge la répartition du travail au sein d'une équipe.

Sérieux, volontaire et rigoureux, mon objectif premier est de satisfaire les gent avec qui je travaille tout en veillant à développer mon département. C'est avec plaisir que je vous présenterais de vive voix le détail de ma vie professionnel et vous exposerais ma grande motivation.

  LAMKEALAL by allal

The Moroccan television in stagnation

Camera work

  Camera Movement PDF by Robin Jones

The Will by allal el alaoui in competition in Parma - Italy -

Articolo e intervista alla direttrice Eddy Lovaglio per I-filmsonline.com

E’ prevista la partecipazione di ospiti illustri?

Ci aspettiamo sicuramente la partecipazione di ospiti illustri, ciò dipenderà anche dalle produzioni in concorso e il programma dettagliato uscirà fra qualche mese. Ci sarà sicuramente un ospite “illustre” al quale vorremmo attribuire un premio alla carriera, ci saranno ospiti di grande prestigio in giuria, tra i quali posso anticipare la presenza del dr. Roberto Mancinelli della Sony, e poi una personalità di grande prestigio è il nostro direttore artistico, M° Riccardo J. Moretti, compositore di musica da film e allievo di Nino Rota, nonché docente al Conservatorio “A. Boito” di Parma dove ha istituito proprio una sezione di musica per immagini.

   Al Wassia (The will)

(Marocco – lingua: arabo con sottotitoli inglese) Durata  18’

Regia: Allal El Alaoui

Compositore: Brahim Belwafi

Produzione: SNRT, Alami Khalouqui

Sinossi: Uno sceicco moribondo nel Sahara consiglia ai suoi tre figli di prendersi cura della loro madre perché è l’origine della loro esistenza…

Prima mondiale. In concorso.

  PROGRAMMA MusicFilmFestival_Parma (1) by allal

The Business of Screenwriting: “Why we hate writers”

The Business of Screenwriting: “Why we hate writers”

August 1st, 2013 by Scott

Today we have a guest post from Hollywood producer Max Millimeter. As usual this is a transcription of a recording Max made up at his Laurel Canyon home:

Okay, the God’s honest truth is this: Basically we hate you guys.

Now lemme drill down on that.

By “you guys,” I mean screenwriters.

By “we,” I mean producers and studio execs. Agents and managers don’t count ‘coz they make their livelihoods off you guys although, trust me, there are plenty of times when they think, “Jeezus God, why am I representing this schmuck?”

You can be whiny, you can be irritating, you can be stubborn, you can be fucking stupid. But that’s not why we hate you.

We hate you ‘coz you can write.

See, we can’t. And the fact we can’t and you can… that eats at us.

Know why? ‘Coz you can come up with an original idea. You can figure out a story. You can pound out pages and end up with script. And that means you are in control. That story is yours. You own it. There’s nothing to get in the way of you typing FADE IN to you typing FADE OUT.

Us?

We can not control actors and their moods.

We can not control directors and their visions.

We can not control studios hiring and firing.

We can not control “creative differences.”

We can not control a green light turning into a red light.

We can not control a tsunami, hurricane or other act of God smashing our sets.

We can not control labor strikes.

We can not control the starlet suddenly falling madly in love with… how shall I put it… a prodigiously amorous producer sending her swooning over the moon, which pisses off her numbnutz co-star who had the hots for said hottie, plunging him into a funk and the production into hiatus.

Okay, that was a bad career choice. But my loins still tingle from that particular belly ride.

Where was I? Okay, yeah. The thing is we can’t really control a movie. It’s like a roller coaster on crack without the tracks. But you? You can write any goddammed thing you want. You have that freedom, that creativity, that power to make a story.

And we hate that.

I tried writing a script once. Some thieves, they’re gonna break into a bank, right. But instead of robbing the joint, they gotta return the cash. Or something like that, I can’t remember. Whatever the hell it was, I thought the idea was hot shit. And I was talking to Eddie’s people, Rodney’s people, Whoopi’s people, everybody pumped. Action comedy ensemble. Pure gold.

So I say, “Hey, it’s my idea, why the hell don’t I write it?” I fiddled with it here, futzed with it there, then went away to Palm Springs and locked myself up for a weekend to pound out Act One. I was completely convinced this was a smash.

Did a table reading. Invited Eddie’s people, Rodney’s people, Whoopi’s people. You know, give ‘em a taste of this hot throbbing hit. Sure that would lock ‘em into the project and next stop? Box office champ!

Not one laugh. Zero. Deadsville.

They despised it. I mean actively, big-time repulsed by my ever single word. Rodney’s people? I kid you not, they changed their goddammed phone number on account of that crap draft just so I couldn’t reach ‘em.

I was blinded by my own bull shit. The thing is, I can tell you what’s wrong when it’s your story. But when it’s my story, I don’t know squat. One of life’s great mysteries, but there it is.

That’s why we sit where we sit, and you sit where you sit. We can’t write. You can. And that pisses us off. ‘Coz the fact is, we need you.

So guys, whenever you’re in a meeting with a studio exec or a producer, after the assistants Chad or Ashley have delivered your bottled water, after all the opening chit-chat and schmoozing and blowing smoke and what-not, you gotta realize the people smiling and nodding their heads at you…

Secretly we loathe you.

‘Coz you can write a story. And we fucking can’t.

The Business of Screenwriting is a weekly series of GITS posts about living life as a screenwriter in Hollywood. Max Millimeter is a veteran filmmaker and known around town as “Hollywood Movie Producer Extraordinaire.” Today’s Max Fact: Favorite actress? Hedy Lamarr. “Are you kidding me? I’m watching ‘Ziegfield Girl’ and I’m losing my mind over this gal. To this day, every movie I see, I’m hoping and praying to see the next Hedy Lamarr.”

[Originally posted August 2, 2012]

for whom Iranian cinema tolls

The first Iranian film festival was held in London and showcased 35 inspiring films by Iranian artists. PHOTOs: PUBLICITY

The Iranian film industry is not very active until 1945, and the majority of the films are foreign films. In 1941, about 250 movies screened in Iran, 60% of American films, 20% of German films, 5% of French films and films from 5% to URSS37. In 1950, the figures show strong growth in the film industry. There are 80 rooms in Iran, including 20 in the open. The total annual hearing is about 9 million people, with a population of nearly 17 million habitants38. In the same year 1950, 450 films are screened, 85% originating from the United States, with the remainder divided between Britain, Egypt, France, Italy, India, the USSR and Iran. Between 1950 and 1955 fifty-eight films are produced in Iran. In 1958, there are twenty-two companies producing films for average budget of five million rials per film.

 The number of feature films produced annually in Iran goes twenty-five in 1959 to fifty-five in 1966 and four to twenty in 1971 and down to sixty-one in 1976. The number of producers triple between 1950 and 1970, from twenty-two to sixty-seven. The cost of film production increases during the period 1966-1976, while the Iranian economy is inflationary. The number of theaters in the country has also increased significantly after World War II: from 142 in 1959 to 453 in 1975 (including more than a hundred in Tehran). In 1974, 473 films are screened in Iran, 30% of American origin, 13% from Iran, 12% of Hong Kong, with the remainder spread less than 10% market share each from France, India, Britain, Japan, Turkey and URSS9.

Blu-ray Disc (BD)

Type de média	Disque optique à haute densité
Codage	MPEG-2, H.264 et VC-1
Capacité	25 Go (simple couche) 50 Go (double couche) 100 Go (quad. couche ou disque Blu-ray 3D) 7,5 Go 7,0 Gio (8 cm simple couche)
Mécanisme de lecture	1× à 36 Mbit/s 2× à 72 Mbit/s
Développé par	Sony Corporation Europe
Dimensions physiques	8 cm ou 12 cm de diamètre
Poids	17 à 20 g

Blu-ray Disc (BD) is an optical disc storage medium designed to supersede the DVD format. The plastic disc is 120 mm in diameter and 1.2 mm thick, the same size as DVDs and CDs. Conventional (pre-BD-XL) Blu-ray Discs contain 25 GB per layer, with dual layer discs (50 GB) being the industry standard for feature-length video discs. Triple layer discs (100 GB) and quadruple layers (128 GB) are available for BD-XL re-writer drives.^[3] The name Blu-ray Disc refers to the blue laser used to read the disc, which allows information to be stored at a greater density than is possible with the longer-wavelength red laser used for DVDs. The major application of Blu-ray Discs is as a medium for video material such as feature films. Besides the hardware specifications, Blu-ray Disc is associated with a set of multimedia formats. Generally, these formats allow for the video and audio to be stored with greater definition than on DVD.

The format was developed by the Blu-ray Disc Association, a group representing makers of consumer electronics, computer hardware, and motion pictures. The first Blu-ray Disc prototypes were unveiled in October 2000, and the first prototype player was released in April 2003 in Japan. Afterwards, it continued to be developed until its official release in June 2006. As of June 2008, more than 2,500 Blu-ray Disc titles were available in Australia and the United Kingdom, with 3,500 in the United States and Canada.^[4] In Japan, as of July 2010, more than 3,300 titles have been released.

During the high definition optical disormat war, Blu-ray Disc competed with the HD DVD format. Toshiba, the main company that supported HD DVD, conceded in February 2008,^[6] releasing its own Blu-ray Disc player in late 2009.

The Will in competition in Parma International Music Film Festival

The will,shortfilm written and directed by Allal El Alaoui, has been chosen by  Parma  international music film festival  that will open its gate the 23th to 29^th 2013 .This festival chooses films because of its  artistic values and provides the possibility for composers to have their proper recognition. Often the films that have more carry in our hearts as a prerequisite to have a good soundtrack that becomes the leitmotif of our lives or our dreams. The aim is also to start a festival that will grow over the years by becoming one of the poles Parma important for the national cinema and internationally.

Basic lighting for cinema

  Lighting by allal

François Truffaut;The lost secret

  François Truffaut; The Lost Secret by Alistair Fox

Open calls to tenders - Appel d'offres in SNRT - 2013 -

Restricted tenders, restricted calls for tenders, or invited tenders are only open to selected prequalified vendors or contractors. This is the first call to all tenders who may present their media works at SNRT .It is the first time in the history of Moroccan television that invitation to bid is open publicly to all media companies.

  1 by allal

  2 by allal

  3 by allal

Start Your first draft in television

Silver screen seduces filmmakers and actors around the world .However,television remains a stong tool to see your story outlined there . So,start your story in Television because it allows you to see it there .John  truby explain this magic bullet via his book'Story in Television' and he explains it very well to new comers of Drama television writers.

  "Story on Television", by John Truby [Script Magazine - August 11] by pabolec

Al Firhane by lkharrazi and Charradi

Words by Virginia Woolf

This is the only surviving recording of Virginia Woolf's voice. It is part of a BBC radio broadcast from April 29th, 1937. The talk was called "Craftsmanship" and was part of a series entitled "Words Fail Me".
The audio is accompanied by a slideshow of photographs of Virginia Woolf.

Taza fighting hard to being

written by Allal El Alaoui

Taza is a small town situated in the north east of Morocco .Can Taza become a cosmopolitan city in the future? Sure; why not .when New York was only a little village in the eighteen century, its locals have worked hard to become what it is now , I mean more than 32 millions  .Can Taza become the capital of Morocco instead of Rabat. Sure, why not we know that Taza has played excellent roles in the history of Morocco because apparently the people of Taza are more resistant than ever. They have fought Spanish and French colons too. They are brave and courage knowing that even Mao Tsi Tung has taken the tactics of war from Rif Mountains to fight thr British .So, Taza is a developing  town , fighting to become one of omportant cities inthe east and it also fighting local  Lobies  known as ‘ Fassi Fihris ‘  who blockade its development  economicaly, sociologically and politically.

Can Taza become cinematic? Yes, sure it can because it is all about  a moderate man called Mohamed Bahi Alaoui wo wrote the first script in Morocco called " Imilchin and Yettou ' .So the Tazi people are really the pionners of everyting and  have thought to build the first cinema studio in a place called Tenssan around Taza but the project failed due to low budget. When I was in Taza , I have noticed that this city is surrounded by black Atlas mountains and green Rif mountains . The contrast of these mountains is unique and surely it has great impact on the people of Taza who seem very naïve in their looks but courage and noble in the fight against the outsiders.Two major tribes are fierce fighters among them is Al Ghayatin.

Taza is known of its caves, the only town in Africa which has too many caves especially the famous one called Freeouato; mysteriously abyssed in high mountains and you may walk in it about three kilometres only in the dark. Although this town is directed by neighboring cities just like Hussaima and Fes,Taza;having the first five star hotel in Morocco metamorphosed in a military institution, want eagerly its own autonomy because it feels able to make miracles knowing this small town lacks the minimum thing just like an agency of tourism which is already shamefull.         

Direction is about high precision

This is not directoon created by Hitchcock nor Fellini or Tarkovski .It is about a Japenese troup that have intelligently fabricated for us this show  which is about  a high precision march of some japenese boys who make excellent  but precise show.I think this clip is about high precision and film direction is about high precision too.