the cell by Rabii el Jawhari

There is a twentieth girl in one of the corners of a strange space, who does not know the reason for her imprisonment and restraint, nor does she know the features and  identity of her prison .. The days of her imprisonment draw signs on the wall of her cell so that she remains attached to the concept of time, which has become a mysterious thing for her .. It happens once she receives the same her knock on the wall from the other side, which drives her to dig the wall in search of her desired salvation ...

  Fiche Techniqueالزنزانة by allal on Scribd

Lmhali agreed by FATEMA LOUKILI commisssion

An amount of nine hundred thousand dirhams (900,000.00 DH) is granted to the documentary entitled لمحالي / LE DECONSEILLE presented by the company NETWORK FILM AGENCY, which will be directed by ALLAL EL ALAOUI, according to the script by ALI SALEM Y

The Will by Allal El Alaoui in Budapest

Dear Mr Allal El Alaoui,

Let me introduce myself, my name is Dr. Andrea Velich, associate professor of Eötvös Loránd University, School of English and American Studies (SEAS), and I am writing and contacting you as the leader of the Film and Culture Programme of Eötvös University, SEAS, Budapest, Hungary.

I would like to invite you to participate in and to be our guest of honour of the Reel Film Festival and Workshop to be organised at Eötvös Loránd University, School of English and American Studies on 6 Febr,2020 to present and introduce your short film The Will (2012) at the Reel Film Festival and Workshop organised and hosted by the Film and Culture Programme, to which we plan to officially invite the Moroccon Embassy of Budapest, too.

The event will introduce various aspects of film and culture including films from the USA, Britain, Australia, Ireland, and Canada we teach about in our programme. The theme of the workshop will be The Journey of the Hero/Heroine in Film. 

If time allows we would also like you to join one of our film seminars on Week 1, Monday, 10 Febr, 2020 in the afternoon as it would be nice and an honour to have a film director as our guest lecturer to talk about scriptwriting and directing.

We would very much appreciate if you accepted our invitation and could spend a few days in Budapest from 5-11 Febr, 2020!

We very much look forward to meeting and welcoming you in Budapest, Eötvös University in early February, 2020.

With best and kind regards,

Yours sincerely,

Dr Andrea Velich (PhD. Hab)

associate professor of Eötvös Loránd University

School of English and American Studies

1088 Budapest, Rákóczi út 5. Rm 344.

seas3.elte.hu/velich

Omar Belaaguir Cinema DOP

BELAAGUIR Omar           
No SS: 187019935092931
E-mail: omar7art@gmail.com
(+33) 0609474084
(+212) 0638774106
-53 Boulevard Jean Allemane
95100 Argenteuil, paris - France
-02 Lot Taskoulte Afrag TIZNIT- MAROC                         

          Je suis un technicien lumière (cinéma, tv et évènementiel) de formation et passionné par mon métier.
          Grâce à une expérience de six ans dans le domaine en France, au Maroc et en Tunis avec des films de toutes nationalités, j’ai une grande expérience dans le domaine come électricien et chef électricien cinéma, éclairagiste évènementiel (Sunlite, Showtec Creator, Grand MA). Je suis à l'écoute, attentif et patient, ponctuel, Ambitieux, flexible,  j’ai le sens des responsabilités.
je suis marié et j’ai 32 ans, ayant un diplôme de technicien spécialisé en audiovisuel option image à l’institut spécialisé industriel de Casablanca, aussi j’ai un diplôme en plateau et machinerie à l’institut spécialisé dans les métiers du cinéma à Ouarzazate, et dernièrement j’ai participé à la formation organisé par ARRI (SKYPANEL, M-SERIES, BALLAST).
BELAAGUIR OMAR

Cinema And Movies spearheaded by Siham El Alaoui

It is announced, via press release, that Cinema And Movies, the production company of Siham El Alaoui, is opening its fiction department with the ambition to lead a bold and quality fiction policy for all broadcasters.
"Its primary vocation is to reveal and support new talents both in Morocco and internationally through unitary and series projects are imagined with authors and directors with a keen eye and in direct contact with the society.
At the time of the digital revolution, and in a context of globalized and very competitive market, Cinema And Movies will propose a singular editorial line with original and entertaining series.
Cinema And Movies is recruiting Allal El Alaoui at the head of his fiction department. He is a filmmaker and an international blogger, founded the production box Cinema And Movies in Kenitra in 2010 . He recently made the documentary film called the disadvised with Ali oueldah Bousola in co*production with  see network agency.

IN FRENCH

Il est annoncé, via communiqué de presse, que Cinema And Movies, la société de production de Siham El Alaoui, ouvre son département fiction avec l’ambition de mener une politique de fiction audacieuse, et de qualité pour tous les diffuseurs.

"Sa vocation première est de révéler et d’accompagner de nouveaux talents tant au Maroc qu’à l’International à travers des unitaires et des séries. Les projets sont imaginés avec des auteurs et des réalisateurs au regard aiguisé et en prise directe avec la société.

A l’heure de la révolution numérique, et dans un contexte de marché mondialisé et très concurrentiel, Cinema And Movies proposera une ligne éditoriale singulière avec des séries originales et divertissantes.

Cinema And Movies recrute Allal El Alaoui à la tête de son département fiction. Il est cinéaste et blogueur international ,a fondé la boite de la production Cinema And Movies a Kenitra en 2010,. Il a récemment realise  le film documentaire avec Ali oueldah Bousola voir network agency.

Closing of the 5th International Film Festival Of Schools in Tetouan

Closing of the 5th

International Film Festival

Of Schools in Tetouan

Nada Lmisri.

The 5th edition of the International Festival of Cinema Schools of Tetouan (FIDEC), organized by the Faculty of Letters and Human Sciences (Abdelmalek Essaadi University - Tetouan) and the Bidayyat Association in partnership with Moroccan and foreign organizations and institutions is closed Saturday, November 30, 2019 at the Spanish Theater of Tetouan.
FIDEC has had considerable success and remarkable success. During the six days, a passionate audience of the seventh art (filmmakers, writers, artists, teachers, actors, students, students, film critics, journalists, researchers, ...), attended massively the various activities of the festival: projection of dozens of films made by young creators from around the world and masterpieces by the pioneers of modern Moroccan cinema, special screenings for schoolchildren, training for Moroccan teachers, master class, tributes, professional meetings, ...
The closing of the Festival was marked by a vibrant tribute to the Professor and visual artist Bouabid Bouzid and the screening of the film '' Mejor '', awarded in 2012 at the International Film Festival of Marrakech, by Tarik Liahemdi (laureate of the Filière Etudes Cinématographiques de the Faculty of Humanities and Letters of Tetouan).
Of the 3200 films submitted, 75 films were selected in international competition by the selection committee.
- Grand Prix: '' The Shephed '' by BrwaVahabpour;
- Special Mention: '' Cross film '' by Konstantinos Stathis;
- Prize for Best Fiction: '' Theculture '' by Ernst De Geer;
- Jury Prize: '' Hernamewas '' by Helena Dalemans;
- Human Rights Prize: '' Zoujbghal '' by HoudaRahmani;
- Animation prize: '' Inanimate '' by Lucia Bulgheroni;
- Public Prize - International Competition: '' Ghita '' from Loubna Briac;
- Kids' Prize: '' Fish for life '' by Kerstin Blätterbinder, Lisa Gierlinger, Lukas Mathä and Victoria Wolfersberger;
- Young Jury Prize: '' The last trophy '' by Mario TurkhyFunes;
- Best Documentary Award: '' Not for Real '' by Mona Maire.
The closing of this edition was also marked by the celebration of 10 years of training and film studies in the Faculty of Arts and Humanities of Tetouan. This is the result of the praiseworthy efforts of Professor Hamid Aïdouni, Festival Director and President of the Bidayyat Association, who has the merit of integrating research, training and film creation into this faculty since 1987, with few means but a lot of willpower, ambition and dedication. He created in 2009 a Professional License in Cinematographic Studies, a Specialized Master in Documentary Cinema and Doctoral Training in Arts and Cinematographic, Audiovisual and Scenic Studies. He recently founded an international university film and visual arts magazine '' Mirage ''. According to its founder, this scientific project is another step towards consolidating this building with the three pillars of "Research / Training / Creation" whose construction began 32 years ago.
FIDEC asserts itself as a reference in the Arab and African world and is now positioned thanks to the rigor of its selection and the quality of its organization, in just five years of existence, as an international rendezvous.

Journée d’étude à la FLSHT .Tetuan .

 Nada LMISRI

Journée d’étude à la FLSHT

La langue française à l’université :

Diagnostic d’un dysfonctionnement

            Dans le cadre de ses activités scientifiques,le Département de Langue et Littérature Françaises (DLLF), en partenariat avecle Laboratoire de Recherchesur le Maghreb et la Méditerranée (LAREMM)de la Faculté des Lettres et des Sciences Humaines de Tétouan (Université Abdelmalek Essaadi),a organisé une journée d’étude sur le thème : ‘’la langue française à l’université : diagnostic d’un dysfonctionnement’’. Et ce le mercredi 27 novembre 2019 à la salle de conférence Dr. Targhi.

               Selon les organisateurs, cette journée d’étude se propose de tirer au clair une situation délicate et inextricable à tous égards. La question de l’enseignement de la langue française à l’université comme outil sine qua non des études et de la recherche scientifique est une question qui demeure confuse. Elle est fumeuse, voire absconse. La nébulosité de cette situation doit se dissiper afin que la problématique soit mieux appréhendée.

            Parmi les objectifs assignés à cette manifestation scientifique :

- circonscrire la place de l’enseignement de la langue française dans le cursus universitaire, ainsi que son importance ;

- faire la lumière sur les difficultés et les ‘’résistances’’liées à lalangue française (en comparaison, entre autres, avec les langues anglaise et espagnole) ;
- cerner le caractère ondoyant et divers de cette langue (c’est une langue très imagée, ce qui pousse à asserter que le sens figuré est prioritaire par rapport au sens propre) ;

- Faire le point sur l’origine du français, sur l’étymologie des mots et de la nomenclature.

            C’est une invitation à la réflexion et à l’investigation sur l’état des lieux et sur les perspectives liées à l’enseignement de cette langue. Le constat d’échec, des hiatus et des reconductions des diverses stratégies et méthodes dans ce domaine est une constante de notre système d’enseignement. De telles déconvenues devraient interpeller le chercheur et l’inciter à y mettre du sien, en vue de diagnostiquer le dysfonctionnement et de s’atteler à y remédier.

            La journée d’étude s’est déroulée en deux temps et s’est articulée autour de deux axes : ‘’Réalités et perspectives’’ et‘’Déroulé pédagogique et docimologie’’.

            La première séance‘’Réalités et perspectives’’ a été modérée par le Professeur Abdelilah El Khalifi, Chef du Département de Langue et LittératureFrançaises.

               Dans leurs interventions, les participants ont développé les approches suivantes :
- ‘’Le DLLF en péril’’, Pr. WafaeGorfti (FLSHT – UAE - Tétouan) ;

- ‘’L’enseignement du français : le FOS et le FOU, enjeux et perspectives’’,  Pr. Amal Bouchelta (FP – UAE -  Larache) ;

- ‘’Enseignement du FLE : états des lieux’’, Pr. Jaouad Boumaajoune (FLSHT – UAE - Tétouan) ;

- ‘’Le dispositif intégré pour l’apprentissage du français au CRL de la FS de Tétouan’’, Pr. Iman Jouti (FS – UAE  - Tétouan).

               La séancede l’après-midi ‘’Déroulé pédagogique et docimologie’’ a été modérée par NajibWasmine, Professeur de l’Enseignement Supérieur.

               Les interventions ont porté sur les points suivants :

- ‘’Image et usage du dictionnaire’’, Pr. Ahmed Sebraoui (FLSHT – UAE - Tétouan) ;

- ‘’Compétences discursives et évaluation formative : l’exemple du commentaire composé’’, Pr. Jamal Zemrani  (FLSHT - UAE  - Tétouan) ;

- ‘’L’enseignement de la littérature française à l’université entre pédagogisme et perte de temps’’, Pr. Mokhtar Chaoui, (FLSHT – UAE - Tétouan) ;

- ‘’Propositions pratiques de stratégies de renforcement en langue française pour les étudiants en difficulté au sein de l’université’’, Pr. Abdeslam Chenag (CRMEF - Larache).
                   

                    Cette manifestation scientifique, qui a connu un succès remarquable grâce à la pertinence et l’importance des interventions mais aussi à la présence massive d’un public averti qui s’intéresse à la question de l’enseignement de la langue française au sein del’université,s’est clôturée par un débat animé et enrichissant : un échange d’informations, d’opinions et de propositions.

  

Nada Haddaoui.actress.

   Nada - CV Comédienne PDF-converted by allal on Scribd

It's been five years since I started doing theater at the conservatory and the college too! I played in two shorts when I was 15! And this year I played in a TV series that I had an important role, c the series "Ouyoun Ghaima" with the director Said Khallaf, and right after I had a lead role in a short film called "Cry of distress" With Taeib Benjelloun! And I just shot a feature film with director Adil Ammor!

Kick-off of the International Film Festival of Schools of Tetouan

By Nada LMISRI

The fifth edition of the International Festival of Cinema Schools of Tetouan (FIDEC) kicked off on Monday night at the Spanish Theater in Tetouan.
The FIDEC is organized by the Faculty of Humanities and Letters of Tetouan (Abdelmalek Essaadi University) and the Bidayyat ARTCINE Association (composed of academics, cinema professionals, laureates of the Specialized Master in Documentary Cinema and doctoral students in Arts and Cinematographic, Audiovisual and Scenic Studies) with the support of the Moroccan Cinematographic Center and Moroccan and foreign organizations and institutions.
The opening ceremony of this edition, which continues until November 30, 2019, has had a massive presence of an audience passionate of the seventh art (filmmakers, writers, artists, teachers, actors, students, students, film critics , journalists, researchers, ...) and was marked by a vibrant tribute to Moroccan film critic and researcher Hammadi Gueroum and German filmmaker and writer Viola Shafik.
The FIDEC jury that will deliver its verdict at the closing ceremony is composed of four members: the film critic and Moroccan researcher Hammadi Gueroum, the German filmmaker and writer Viola Shafik, the Greek university professor Filareti Kotsi and the French Roxane Riou, programmer for Tënk of the Beach First Bobines.
FIDEC offers the Moroccan public and its guests a rich and varied cultural program: screening of dozens of films made by young creators from around the world, special screenings for schoolchildren, training for Moroccan teachers, master classes, tributes, meetings professional ...
This 5th edition is distinguished by the celebration of 10 years of training and film studies in the Faculty of Arts and Humanities of Tetouan. This is the result of the praiseworthy efforts of Professor Hamid Aïdouni, Festival Director and President of the Bidayyat Association, who has the merit of integrating research, training and film creation into this faculty since 1987, with few means but a lot of willpower, ambition and dedication. He created in 2009 a Professional License in Cinematographic Studies, a Specialized Master in Documentary Cinema and Doctoral Training in Arts and Cinematographic, Audiovisual and Scenic Studies. He recently founded an international university film and visual arts magazine '' Mirage ''.
FIDEC asserts itself as a reference in the Arab and African world and is now positioned thanks to the rigor of its selection and the quality of its organization, in just five years of existence, as an unmissable event on the scale internationa

Room 101 a film documentary soon

written by Ali Karama

Were the words raised by the Ultras people directed to the stadium fans or wanted to be heard outside the stadium walls?
This question will be answered by the context of “Room 101”, which comes immediately after: “In my country they wronged me” and in the “Tivo” in which the Palestinian people were greeted.
Talk about the addresses, is the required audacity implemented by the Ultras in all honesty, and perhaps the former in the time of vigilance that the country tells a state and society, officials and citizens ..
Western novelist George Orwell wrote his novel (1984), which was published in England in 1949, and the idea of ​​the novel focused on the establishment of a government called the government of the "guide" or Big Brother, this government everything contrary to his name, for example, the Ministry of (truth) is a ministry. Its mission is to overturn facts, terrible identity and lies.
The policy adopted is the policy of torture, increasing the degree of torture until it reaches the degree of entering the person to the room (101) and collapses and deviates, for example, the person subjected to torture ask him how many fingers of your hand and say five responds that the guide says nine did not leave torture so as to reassure the interrogator that the person now says follow the brother's guide that it is nine and at this stage tied on his head electrocution equipment ..
Room 101 refers to the most heinous form of torture by reversing the facts of the government in Orwell 's novel.
The "Tivo", which was reassured by the Raja fans in an interview with Derby with Wydad, is nothing more than a message to those who rule and not their weak footballing peer. The slogan says everything without shorthand, without words that it passes to the maximum degree of expression, more expressive than screaming.
Here, Tivo was only the most innovative and proactive skill to shape the new development paradigm, with royal specification, to courageously convey the truth to the pulse of society, albeit painful and cruel, as it is without falsification or deception. Specific specifications required for the modeling of this model, with neutrality and innovation.
Room 101 is the courage of the public to convey the reality of the sense of oppression, injustice, marginalization and fragility of the compound, and predict that the next worst torture as the symbolism of the room in Orwell 's novel, both in prisons and rural prisoners and other prisoners of conscience, and the suffering of society outside fences of oppression and tyranny ..
This audacity of the sports audience may also whisper in order to raise the rhythm among the political, cultural, economic and societal in general .. To convey the facts in all objectivity, inventing new alternatives .. To ensure the attractiveness of influence and interaction…
The audacity here is a wake-up call to whom it may be concerned before the last alternatives for reparation have fallen and all the ropes of trust have gone to the established institutions.

Gaza by Garry keane and Andrew McConnell

A film by Garry keane and Andrew McConnell

International Film Festival of Schools in Tetouan

By Nada LMISRI

The Faculty of Humanities and Letters of Tetouan (Abdelmalek Essaadi University) and the Association Bidayyat ARTCINE (composed of academics, film professionals, laureates of the Master Specialized in Documentary Cinema and PhD students in Arts and Film Studies, Audiovisual and Scenic) organize with the support of  CCM (the Moroccan Cinematographic Center ) the fifth edition of the International Film Festival  of Schools in Tetouan (FIDEC). And this from Monday 25 to Saturday, November 30, 2019.
The International Film Festival  of Schools in Tetouan aims to promote the works of young creators from around the world whether they come from film schools, universities or training institutes for the professions of the image and also of serve as a platform for meetings, exchanges with young people from around the world and belonging to different cultures.

According to its press release, of the 3200 films submitted, 75 films were selected by the selection committee in international competition. An exceptional vintage, an impressive number of schools and countries participating in this edition, many for the first time. The figures express and attest to this exceptional selection: 75 films selected, 33 countries represented and 63 film schools.

39 fiction films, 21 documentaries and 15 animated films make up this beautiful selection of school films. Many selected films carry human and universal values ​​such as tolerance, respect, solidarity, justice, fraternity and love. A wide variety of topics is covered in various thematic fields: identity, migration, youth, adolescent crises, childhood, loneliness, cinema, old age, adversity, etc. Themes often rooted in local and national realities certainly but challenge the universal in us. These films ultimately reveal the human in all its states.

New cinematographs and new talents to discover at this year's edition at FIDEC from November 25th to 30th at the historic theater '' Teatro Espagnol '' in Tetouan.

GRECA (Group of Research and Cinematographic and Audiovisual Studies), affiliated to the Faculty of Arts and Humanities of Tetouan and whose creation dates from 1987, is a pioneer in the field of cinema research in Morocco. Thanks to the praiseworthy efforts of Professor Hamid Aïdouni, Festival Director and President of the Bidayyat Association, who deserves credit for integrating research, training and film creation into the Faculty of Arts and Humanities. of Tetouan after many years of experience, with few means but a lot of will, ambition and dedication. He has created for several years a Professional Bachelor in Cinematographic Studies, a Specialized Master in Documentary Cinema and Doctoral Training in Arts and Cinematographic Studies, Audiovisual and Scenic.
FIDEC asserts itself as a reference in the Arab and African world and is now positioned thanks to the rigor of its selection and the quality of its organization, in just five years of existence, as an unmissable event on the scale international

official Selection  FIDEC 2019

9/8 DOGMAK | Halidİlhan | Documentaire | YaşarUniversity | Turquie | 18’ | 2018

ADJOURNMENT | Nina Marissiaux | Documentaire | HELB | Belgique | 24’ | 2018

AIRSHIP OF UNKNOWN DIRECTION | Alexandra Galitskova | Animation | VGIK Moscou | Russie | 5’| 2019

AISHA | Piotr Łukasiak | Fiction | Warsaw Film School | Pologne | 16’ | 2019

AMAL | Raoul "Kabrit" Mallat | Animation | Ecole Emile Cohl | France | 6’ | 2019

ASIYA | DinaraAbdrashitova| Fiction | Academy N.S Mikhalkov | Russie | 15’ | 2018

BIOTOPE | Paul Scholten | Documentaire | HFF Munich | Allemagne | 10’ | 2018

BLACK LEAD | A. Valter, R. Delmond, F. Lambert, L. Talfer, N. Six, T. Emsellem |Animation| SupinfocomRubika | France |6’ | 2019

BREATHE ! | Matthias Kreter, Max Breuer | Fiction | FABW | Allemagne | 9’ | 2018

BRUISED | Rok won Hwang, Samantha Tu| Animation | RinglingCollege of Art and Design | Etats-Unis| 3’ | 2018

CASTING | Klaudia Keska | Documentaire | WRITV | Pologne | 18’| 2018

CIRQUE | Bob Colaers | Fiction | LUCA | Belgique | 16’ | 2019

CLEATS | Abdullah Şahin | Fiction | Istanbul ŞehirUniversity | Turquie | 10’ | 2019

COMMENTS | Jannis Alexander Kiefer| Documentaire| Film UniversityBabelsberg KONRAD WOLF | Allemagne |5’| 2018

CROSS | Konstantinos Stathis | Expérimental | AUTH | Grèce | 23’ | 2019

DANSE MACABRE | ZsófiaCsánki | Animation| METU | Hongrie | 6’ | 2018

EPILOGUE | YosraSanhaji | Fiction | ISAMM | Tunisie | 14’ | 2019

EQUALLY RED AND BLUE | Georgiana Moldoveanu | Fiction | UNATC | Roumanie | 21’ | 2018

FANNY | Alia Benhida | Fiction | ECIB | Espagne | 8’ | 2019

FAR FAINT LIGHTS | Paolo AguilarBoschetti| Documentaire | ECAM | Espagne | 21’ | 2018

FISH FOR LIFE | Kerstin Blätterbinder, Lisa Gierlinger, Lukas Mathä, Victoria Wolfersberger | Animation | FHOO| Autriche | 8’ | 2019

FROZEN TO DEATH, SOAKED TO THE SKIN | Elena Tara| Fiction | ECAM | Espagne | 15’ | 2018

GLAZE | Clara Jost | Expérimental | ESTC| Portugal | 14’ | 2018

GULF | Walter Mzengi | Expérimental | AFDA| Tanzanie | 10’ | 2019

HER NAME WAS | Helena Dalemans | Fiction| LUCA| Belgique | 18’ | 2018

HERO | Ondřej Burda| Fiction | FAMO| République tchèque | 15’ | 2019

HIM AND I | Ibrahim Handal | Fiction | Dar al-KalimaUniversity | Palestine | 14’ | 2018

INANIMATE | Lucia Bulgheroni | Animation | NFTS | Royaume-Uni | 9’ | 2018

JOURS DE FÊTE | Hamza Oujamma| ESAV Marrakech | Fiction | Maroc | 8’ | 2018

LOOKING FOR DENI | Déni Pitsaev| Documentaire | LUCA | Belgique | 19’ | 2018

MANO A MANO | Louise Courvoisier| Fiction | La Cinéfabrique | France | 22’ | 2018

MTV IS MY FRIEND | Radu Popovici | Animation | UVT ARTE | Roumanie | 6’ | 2018

MUSIC BOX | VeronikaPasternaSzemlova| Animation | TMK | République tchèque | 13’ | 2018

NEITHER SUNNY NOR CLOUDY | AnvarNijemčević | Documentaire | SFA | Bosnie-Herzégovine | 11’ | 2019

NEWS FROM BORUSSIA | Kasia Hertz| Expérimental | DFFB | Allemagne | 16’ | 2019

NOT FOR REAL | Mona Maire| Documentaire | MMCD Marseille | France | 30’ | 2019

NOTICE ME | Catherine Shelley| Documentaire | BFI | Royaume-Uni | 6’ | 2019

PATCHWORK | Maria ManeroMuro| Animation | UPV | Espagne | 8’ | 2018

PLAY | Piotr Sulkowski| Fiction | Lodz | Pologne | 13’ | 2018

PPOM PPAM | Hee-kyoung Shin, Seo-hyunYeon| Animation | Korea Animation High School | Corée | 8’ | 2019

REFLECTION | Chelsea Keene| Animation | CSULB | Etats-Unis | 4’ | 2019

REMEMBER ME | Mohamed Rida Gueznai | Documentaire | MSCD Tétouan| Maroc | 20’ | 2019

RITA | Loubna Briac | Documentaire | MSCD Tétouan| Maroc | 26’ | 2019

RUN | Egor Isaev| Fiction | Moscow Film School | Russie | 23’ | 2019

SHE WHO WASN'T TAMED | Saleh Kashefi| Fiction | IYCS | Iran | 15’ | 2019

STARVATION | Zahra Rostampour | Animation | TehranUniversity of Art| Iran | 7’ | 2018

STRINGS | Paula Zambrano | Fiction | ULA Mérida | Venezuela | 12’ | 2018

TEA | ShokirKholikov| Fiction | UzSIAC | Ouzbékistan | 15’ | 2018

THARBAT’N’WADOO | LatefaAhrrare | Documentaire | MSCD Tétouan| Maroc | 24’ | 2018

THE BINOCULARS | Rahul Sharma | Fiction | LFS | Royaume-Uni | 16’ | 2019

THE BUZZ | DánielFüzes | Fiction | METU | Hongrie | 34’ | 2019THE CARP POND | Guomin Yang | Fiction |The Central Academy Of Drama| Chine | 26’ | 2019

THE CULTURE | Ernst De Geer | Fiction | DNF| Norvège | 25’ | 2018

THE FISHING CIRCLE | Daniela López Moreno, Alfredo MarimonCarcamo| Documentaire | VGIK | Colombie | 20’ | 2019

THE GIRLS WHO WEREN'T AFRAID | Frida MezaCoriche| CUEC |Documentaire | Mexico | 8’ | 2018

THE LAST TROPHY | MARIO TURKHY FUNES | Documentaire | UNAL | Argentine | 22’ | 2019

THE MOTIONS | Frank Donnangelo | Fiction | AFI Conservatory | Etats-Unis | 15’ | 2018

THE SCHOOL BUS | RamazanKılıç | Fiction | Istanbul ŞehirUniversity | Turquie 13’ | 2019

THE SHEPHERD | BrwaVahabpour | Fiction | DNF | Norvège | 17’ | 2018

THE TRIP | Daniel Rihák | Fiction | FTF VŠMU | Slovaquie | 18’ | 2018

THE VOICES FROM INSIDE | Elina CHARED | Documentaire | MMCD Marseille | France | 25’ | 2019

THE VOID BETWEEN THINGS | Andreas Pappas| Fiction | HCTSS | Grèce | 21’ | 2019

THE WHITE PARALLELEPIPED | OksanaStepantsova| Fiction | GITR | Russie | 16’ | 2019

THINGS WE DON’T TALK ABOUT| Dan Johan Filip Svensson| Fiction | DNF| Norvège | 18’ | 2018

TO EACH YOUR SARAH | Deokgeun Kim| Fiction | K-ARTS | Corée | 25’ | 2019

UBIZO | Natalia Bombala | Fiction | UKZN | Afrique du Sud | 16’ | 2018

UNTIL THE EMERGENCE OF DAWN | Younes Benchakor | Fiction | MSCD Tétouan | Maroc | 16’ | 2018

VOLE | Cynthia Tannous| Fiction | UA | Liban | 8’ | 2018

WEEPING WILLOW | Krystel El Koussa | Fiction | USEK | Liban | 16’ | 2018

WHAT EVER HAPPENED TO DARWIN | L. ALTIERI, S. CRIPPA, G. MANNA, M. NOCERINO| Animation | CSC | Italie | 6’ | 2019

WHITE COFFEE | Gloria Tauk | Fiction | UL | Liban | 13’ | 2018

WIRED | ZeyuRen| Animation | RISD| Etats-Unis | 4’ | 2019

ZOUJ BGHAL | HoudaRahmani | Documentaire | MSCD Tétouan| Maroc | 13’ | 2018

Baba Aichour by Allal El Alaoui ( draft )

By Ali Karama  

                                                                                                                                  

The woman  with thin classes , already worked with Jettou governement in Morocco .She is called Najima Taitai so slim,intellectual and a very educated woman .She is from Rif Mountains  known of its solid men and beatiful and conservative women .

The first edition of the Imerqane Festival of Intangible Culture will kick off today, Wednesday, July 25 in Nador. Designed by the Conte'act association and the agency of the Oriental, this event whose translation of the Rifain means meetings intends to contribute to the valorization of intangible heritage. "Young people today do not know the oral culture of their country, that's why we thought to launch this festival to promote the Moroccan customs," says Najima Taitai, president of the association Conte'act.
Regarding the choice of Nador for the organization of such an event, the organizers explain that there is a lack of cultural activities in this part of Morocco, and this festival is an opportunity to enhance cultural life. "Organizing a festival in Nador is justified because we do not hear any more about culture in this city. It's time to change the game, "adds Najima Taitai.

Filming Sahara land called Aousserd ( Terce)

 

Aousserd is a province in the Moroccan economic region of Dakhla-Oued Ed-Dahab, and it is known of its rich land called Terce which is beloved passionately  by local Sahrawis . Cinema And Movies presented by Allal El Alaoui and Network agency presented Ali Bosola are in this region to shoot their film documentaries accompanied by actors and technicians such as Khayal,Ilham,Mustapha Khokha,Brahim Zeraouli,Mohammed Amin ,Al Bachir,Ahmed,Bouchra,Habiba,Aya Ali Salem ,Essalka ,Nouredddine DOP and Niri the actor - painter. About 15 miles before reaching Aousserd,there is a beautiful Sahara space called Laglat where we can find tombs of 1958  Moroccan fighters ( Achohada) . 

Roa LMISRI on Cinema and literature

   Roa LMISRI  is a  Phd student and holder of a Master in French and Comparative French Literature, Faculty of Humanities and Letters of Tetouan, University Abdelmalek Essaâdi, year 2011.
Qualified Secondary School Teacher

Since its origins, cinema has drawn inspiration from literary works. The great films drawn from great novels are always the meeting of two artists who have each brought two visions of the world, two different perspectives, but which have a common "branch": a diegetic aesthetic world.
In the Arab world, the relationship between cinema and literature suffers from flagrant fragility. Most filmmakers prefer to write scripts for their films themselves or collaborate with other writers to convey their own ideologies. In fact, this is due to the lack of funding, the absence of film production and the mediocrity of the Romanesque heritage in some Arab countries where the novel had prospered only in recent decades.

On the other hand, the situation of the Egyptian cinema differs from that of other Arab countries, since it was, since its appearance, closely related to literature. It is undeniable that the propagation and the glory that he had known, are due to the cinematographic adaptation of great masterpieces of Arabic literature like the novels of the Egyptian writers, Najib Mahfoud, Youssef Sbaï, Ihssan Abdel Koudouss and many others.

However, these reports of interference between Egyptian literature and cinema have been softened during the last two decades. This would be caused by the evolution of the means of the production and reception of cinema and the absence of great writers in favor of a new generation of novelists in perpetual quest for their identity. And in the face of the political and social upheavals experienced by Egypt and the Middle East during this last decade, the general public is no longer fascinated by the great stories and it becomes thirsty for news items.

This prompts us to research the aesthetic relationship between modern Egyptian cinema and a new youth novel that has produced fiction or bestsellers that have exceeded one million copies. By way of example, we can cite Ahmad Mourad's novels, of which we choose the novel Poussière de diamant as an example for our study since it is adapted cinematically in 2018. Note that this film is the result of a third collaboration between novelist and director Marwan Hamed, which leads us to question the limits traced between the film and the novel, between the written narrative and the film narrative.

Why are Ahmad Mourad's works even more successful after being adapted to the cinema, despite critical discourses that challenge its literary value despite its unprecedented distribution? What are the points of convergence and divergence between fictional writing and its cinematographic adaptation?
In addition, establish a kind of logic of the equivalence of meaning between the written words of the novel and the moving images of the film or between two domains; literary written and cinematographic staged, seems a risky and random adventure given that the film remains an ephemeral moment of a literary work. In fact, in Diamond Dust, the story spans more than six decades, a fairly long historical period that requires a director to compress events without the film having narrative holes.

This prompts us to ask ourselves: to what extent did the director Marwan Hamed succeed in weaving the storyline despite his non-respect of the chronological order of events and his adoption of non-linear narrative? Is it, in this case, a primordial necessity for the construction of signifiers or a staged deliberately destructured to refer to the diegetic universe of the film narrative in question?
In order to answer these questions, it would be useful to use academic references that will guide our research. As an example, we can cite Francis Vanoye's Récit écrit-Récit filmique, André Gaudreault's Du littéraire au filmique and Aesthetics of Jacques Aumont's film.

Indeed, these references will allow us to highlight the structural perspective of the written and filmic narrative in Diamond Dust as well as the temporality (the temporal landmarks, the rhythm and the speed of the filmic narrative), which will help us to grasp the historical-political context of the work and to decipher the non-linear character of the narrative.

 written by Roa LMISRI 

CV of imad nakkach

   CV IMAD by allal on Scribd

Abdelilah Rachid soon holds an Oscar .

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Photo : Broud Walid

The Moroccan actor, Abdelilah Rachid, who played mostly in "The Horses of God", "Razzia" and "Rdat Walida", has just made a promise that is worth the detour: win an Oscar, soon.


Abdelilah Rachid, 35, today, sees very tall. For him, in just 5 or 6 years, he will win the Oscar. This is undoubted, according to him, if we believe Alyaoum24 who shares this information. He would then be 40 or 41 years old.

A major ambition, especially, to follow closely all the stars who have been waiting for years to win the prestigious prize, not counting those who can get it, other times, as well as all these wonderful films coming out every year and all these artists and future stars, revealed, everywhere, in the world. But Abdelilah Rachid remains confident.

He unveiled this ambition, according to Alyaoum24, during a caftans event in Agadir at the end of last week. He reportedly said he would win the award and then dedicate it to his audience and his fans.

In 2018, Abdélilah Rachid won in Carthage, Tunisia, the Best Actor Arab Award (for a role in the series "Rdat Walida"), during the 19th Arab Festival of Radio and Television. television.

from : https://www.bladi.net/abdelilah-rachid-oscar,56763.html

  Abdelilah Rachid Converti by allal on Scribd