written by Siham alaoui
SNRT filmmakers and technicians will not forget 2012 and 2013
because simply there is no work in these years and 2014 is coming holding no
sign at all for work.It is dilemma not only for
technicians but also for media
responsable s *
especially for those who work
inside television as we say. Yes, course,other
film makers from production companies have all right to work .
Yet, no magic bullet either for this side or the other only emptiness and pain
. filmmakers are with lucidity and transparency but how
long does it take to be so ? governement of Benkirane has changed but media remains as it is
.
The 26 band of the 2011 constitution is clear as to urge media
responsibles to open gates and support artists to realize their projects . The spirit of 2011
constitution clearly states ‘ local authorities must help artists to produce their
artistic works .So, how can we solve this problem knowing that there are obstacles to get along to productions?
SNRT technicians have this
formula of 2011 constitution in their side and yet there is no sign of work and
everything seems to be flat . By the way national film directors have proven great skill and experience in
producing handsome shortfilms and telefilms because apparently they have been appreciated
nationally and internationally stating forexample people like Allal El Alaoui,
Raouf Essabahi, Khalid Ibrahimi, Aziz Hayzoun ,Faker Mustapha, Mjahed Abdelwahed ,Hakim Bidaoui, and Driss Drissi.
Conclusions and
recommendations of the communicative meetings
organized by SNRT on the occasion of the international market for the film
underneath within the activities of the World Summit for local authorities and
regional Rabat : 1 to October 4, 2013 in furtherance of its new communication
and in the context of openness to its technical , media and cultural surroundings
and development, and under the slogan
" SNRT : permanent Partner to Moroccan cinema " , organized by the
Company itself
Four communication
meetings with a group of actors in film and television drama , journalists and
audiovisual critics.
These meetings fall within the framework of a
participatory approach applied by the company with internal and external
partners , which led to open and frank dialogues between various participants
in the four demonstrations .
These meetings also marked
the presence of the elite of the national art filmmkers and producers , as well
as Moroccans critics and journalists who unanimously agreed on the importance
of uniting the efforts of all stakeholders in order to improve the productions
of Moroccan drama in television .
The following are the main
conclusions and recommendations of these meetings : script writing in
television : focused discussions on Wednesday, 2 of October , which contributed
to the union Moroccan scriptwriters , on three key areas associated with first
draw features the current status of the screenwriter , and secondly propose
solutions to overcome the current problems, and thirdly to provide roundtable
summaries which includes the following points :
• valuation profession screenwriters
.
• the importance of training and continuous
training for authors.
• develop mechanism to
ensure copyright
• develop a model contract for the
scriptwriter.
• strengthen relations between screenwriters and channel product for better products.
• clarify the relationship between screenwriters
and antenna .
dialogue generations and guests had a gallery
of National Radio and Television , on Thursday, October 3, 2013 dialogue appointment
with the directors belong to different generations
( the pioneer generation and the younger
generation ) . Having reviewed the pioneering director Mohamed Abderrahman Tazi
his artistic vision stemming from his veteran experience , the young director Rauf
Essabahi has also been there to listen
to his piont of view .
Other interventions
focused attendees to the need to establish bridges between different
generations of filmmakers and the search for the most effective ways to
exchange experiences among them , as well as organizing meetings testimonial
embody recognition younger generation Balmkhrgen the pioneers who founded the
business Moroccan television and film . The meeting closing : Show films Allvzionean
" last romantics " and " Last Cry " in order to monitor the
dynamic evolutionary taking place in the production sector company has been ,
in the meeting 's final these days communicative and organized on the evening
of Friday, October 4, 2013 , the two films تلفزيونيين of the company's production the National
Radio and Television . The first film is titled "the last romantics
," an internal creative director ( Khaled Ibrahimi ) , and has already won
three awards at the Festival of Meknes for the television movie . The second is
titled " Last Cry " to an external outlet is Muhammad Nusrat . After
the debate , which opened after the submission of the film to attend,
participants recommended that : • the need to double the company's National
Radio and Television of efforts to invest in the creative energies that abound
in order to enrich the product television Moroccan , so by giving creators more
opportunities and enable them to mechanisms to Balachtgal with a the necessary
confidence in their creative abilities , to contribute to the advancement of
the sector . • intensify efforts audio - visual media and television production
sector in order to achieve the quality of work that satisfies Moroccan viewers
and raise rates seen , especially after exceeding the quantitative accumulation
of work by the efforts of television , thanks to its existing strategy and
download content - based book Althmlat . • Certainly the fact that the national
and international recognition of the Moroccan television work in the national
and international forums is not just a celebration of creativity Moroccan
television but recognition of high professionalism and experience of a number
of large Moroccan TV frames . • work to develop a comprehensive vision based on
a participatory and integrated approach between the National Radio and
Television and its partners to overcome the obstacles of television production
, and the advancement of an incident that needs more support and rethink the
programming mode enables a wider spread of television product . • the need to
intensify the National Company for Radio and Television for its efforts so you
can echo the success and reflect who you know evolution of television
productions by supporting the participation of some creative works in television
festivals and national and international . • the need to increase the budget
allocated for the completion of selected television business in order to
achieve high quality with the need to expedite the signing of the terms of the
program is to create dynamic productivity to ensure availability of the product
, as well as work together with all partners. • strengthening partnership with
the clubs to mainstream cinema benefit citizens in remote villages across the
organizing convoys cinematic , in addition to promoting the TV movie cinema
halls to overcome the reluctance of citizens to frequenting cinema halls and
dissemination of audio-visual culture more broadly. • an integrated
organization of seminars involving both professionals and stakeholders in order
to activate the recommendations and develop a road map for television
production , with an emphasis on specialization in the field of audio - visual
grant , inevitably, added value to television productions . On the sidelines of
these forums, hugged porch National Company for Radio and Television , on the
morning of Friday, October 4, 2013 , an international symposium on "ways
of marketing Cinema South market Bank" participated in its activities a
group of producers , directors and distributors of Morocco and some African and
Arab countries and the West. Participants may exchange in this symposium and
views on the best ways to achieve cooperation , " North / South " and
" South / South " for the advancement of Moroccan cinema , African
and Arab . As an appropriate form of this meeting to discuss the obstacles that
prevent the intrusion of Cinema countries of the South to northern markets ,
and to propose the most effective solutions to overcome these obstacles , especially
the development of an integrated approach to the sale and marketing strategy
for films , African and Moroccan Arabic.
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